

desertcart.com: Moby-Dick: The Timeless Sea Adventure & Literary Classic (Dover Thrift Editions: Classic Novels): 9780486432151: Herman Melville: Books Review: "I love to sail forbidden seas, and land on barbarous coasts" - Having reached the mid-life point, I didn't "get around to" reading MOBY-DICK until just recently. I'm certainly glad that I finally stopped putting it off. Herman Melville's work is truly one of the most amazing books I have read. As others have pointed out here, it's not always an easy read, but it is well worth devoting time to. Indeed, I approached it as if it were an artisan cheese or a fine glass of wine; I ingested it slowly, savoring it over a period of months. MOBY-DICK is told (mostly) through the eyes of a seaman ("Call me Ishmael"), beginning with his journey to Nantucket to find a job on a whaler and then continuing with his voyage on the Pequod. The initial chapters (minus the introductory matter) are somewhat misleading in that they employ a traditional narrative structure--quite amusingly describing Ishmael's first encounter with the cannibal harpooner Queequeg--and the unaware reader who enjoys this initial rollicking ride may be disappointed with the "digressions" that follow. Once the Pequod sets sail, the narrative adopts the rhythm of a voyage, i.e., long days at sea, labor-intensive with respect to the upkeep of the vessel, but otherwise dull, interspersed with heart-stopping whaling and welcome encounters with other ships. This pattern of life at sea is reflected in the book's structure in this way: the long, uneventful days lend time to the narrator to present the history, science, and art of whales and whaling, while the whaling and ship encounters brings the narration back to a more-or-less (and often less) traditional narrative structure. The core story is well known, and would be familiar even to those who haven't much other knowledge of the work. (Anyone who's seen or read JAWS would recognize the story.) A psychologically scarred and physically mutilated man, Ahab, the captain of the Pequod, is obsessed with exacting retribution against the highly dangerous white whale that made him a cripple, not to mention killing many other men. His loyal first mate, Starbuck, tries to reason with him, but Ahab is unable to respond to reason; Ahab feels that he is acting out a preordained role. MOBY-DICK, which was first published in 1851, is a surprisingly modern work. Melville explores the story using multiple perspectives and various literary devices, most notably inserting chapters written as scenes in a play. An example of this can be observed beginning with Chapter 36, "The Quarter-Deck": This is a seminal chapter in that in it Captain Ahab explains the Pequod's true mission--to kill Moby-Dick--and his personal motivation for doing it: "Aye, Starbuck; aye, my hearties all round; it was Moby-Dick that dismasted me..." Chapters 37-40, which are given sequential temporal titles ("Sunset," "Dusk," "First Night Watch," "Midnight") provide reflections on Ahab's speech to the crew from the perspective of three of the main characters, Ahab, Starbuck and Stubb; these are followed by a chapter written like a script of a musical play and which involves a number of crewmen. There is, in short, considerable exploration of and experimentation in narrative forms. What I found particularly moving were the small, almost painterly touches in Melville's writing, such as the image of a hawk in the far distance dropping Ahab's hat into the sea (Chapter 130, "The Hat"). Also delighting the reader are the intensely cinematic moments, e.g., Starbuck, standing outside Ahab's door and full of angst, ponders murderous thoughts while handling a musket (Chapter 123 "The Musket"). MOBY-DICK is a fabulous piece of art and is veritable literature worthwhile reading. Review: I know so many whale facts...all my friends are super impressed with how much I know about whales. - I love this book! I really wanted a new copy after years of hanging onto my poor annotated copy from school. This version is striking! Cover is dramatic with beautiful artwork, while the pages inside are super soft paper, and easy print to read. Buy this book.



































































| ASIN | 0486432157 |
| Best Sellers Rank | #13,734 in Books ( See Top 100 in Books ) #5 in Sea Stories #7 in Classic Action & Adventure (Books) #64 in Classic Literature & Fiction |
| Customer Reviews | 4.3 4.3 out of 5 stars (14,981) |
| Dimensions | 5.25 x 1.25 x 8.25 inches |
| ISBN-10 | 9780486432151 |
| ISBN-13 | 978-0486432151 |
| Item Weight | 12.8 ounces |
| Language | English |
| Part of series | Signet Classics |
| Print length | 464 pages |
| Publication date | August 29, 2003 |
| Publisher | Dover Publications |
| Reading age | 10+ years, from customers |
M**N
"I love to sail forbidden seas, and land on barbarous coasts"
Having reached the mid-life point, I didn't "get around to" reading MOBY-DICK until just recently. I'm certainly glad that I finally stopped putting it off. Herman Melville's work is truly one of the most amazing books I have read. As others have pointed out here, it's not always an easy read, but it is well worth devoting time to. Indeed, I approached it as if it were an artisan cheese or a fine glass of wine; I ingested it slowly, savoring it over a period of months. MOBY-DICK is told (mostly) through the eyes of a seaman ("Call me Ishmael"), beginning with his journey to Nantucket to find a job on a whaler and then continuing with his voyage on the Pequod. The initial chapters (minus the introductory matter) are somewhat misleading in that they employ a traditional narrative structure--quite amusingly describing Ishmael's first encounter with the cannibal harpooner Queequeg--and the unaware reader who enjoys this initial rollicking ride may be disappointed with the "digressions" that follow. Once the Pequod sets sail, the narrative adopts the rhythm of a voyage, i.e., long days at sea, labor-intensive with respect to the upkeep of the vessel, but otherwise dull, interspersed with heart-stopping whaling and welcome encounters with other ships. This pattern of life at sea is reflected in the book's structure in this way: the long, uneventful days lend time to the narrator to present the history, science, and art of whales and whaling, while the whaling and ship encounters brings the narration back to a more-or-less (and often less) traditional narrative structure. The core story is well known, and would be familiar even to those who haven't much other knowledge of the work. (Anyone who's seen or read JAWS would recognize the story.) A psychologically scarred and physically mutilated man, Ahab, the captain of the Pequod, is obsessed with exacting retribution against the highly dangerous white whale that made him a cripple, not to mention killing many other men. His loyal first mate, Starbuck, tries to reason with him, but Ahab is unable to respond to reason; Ahab feels that he is acting out a preordained role. MOBY-DICK, which was first published in 1851, is a surprisingly modern work. Melville explores the story using multiple perspectives and various literary devices, most notably inserting chapters written as scenes in a play. An example of this can be observed beginning with Chapter 36, "The Quarter-Deck": This is a seminal chapter in that in it Captain Ahab explains the Pequod's true mission--to kill Moby-Dick--and his personal motivation for doing it: "Aye, Starbuck; aye, my hearties all round; it was Moby-Dick that dismasted me..." Chapters 37-40, which are given sequential temporal titles ("Sunset," "Dusk," "First Night Watch," "Midnight") provide reflections on Ahab's speech to the crew from the perspective of three of the main characters, Ahab, Starbuck and Stubb; these are followed by a chapter written like a script of a musical play and which involves a number of crewmen. There is, in short, considerable exploration of and experimentation in narrative forms. What I found particularly moving were the small, almost painterly touches in Melville's writing, such as the image of a hawk in the far distance dropping Ahab's hat into the sea (Chapter 130, "The Hat"). Also delighting the reader are the intensely cinematic moments, e.g., Starbuck, standing outside Ahab's door and full of angst, ponders murderous thoughts while handling a musket (Chapter 123 "The Musket"). MOBY-DICK is a fabulous piece of art and is veritable literature worthwhile reading.
B**N
I know so many whale facts...all my friends are super impressed with how much I know about whales.
I love this book! I really wanted a new copy after years of hanging onto my poor annotated copy from school. This version is striking! Cover is dramatic with beautiful artwork, while the pages inside are super soft paper, and easy print to read. Buy this book.
M**Z
An unused copy, but was advertised as "used!!!
It's absolutely flawless. It was advertised as a "used" copy, but It's absolutely unused!!! I paid a few cents less than $7.00 for it, including the shipping. My hat is off to this very reputable seller. Very pleased with this copy of a highly recommended classic. Thank you very much. This edition is sturdy and solid. The paper of the text is of very good quality; it is not thin, flimsy, or "slippery" when turning pages. The print is a nice size, as well, "reader friendly." This edition has the extracts and etymology, which do contribute to the understanding of the text. The one slight drawback is that, in this edition, in contrast with some other editions, there are no footnotes to explain terms, aspects, or clarifications that could otherwise explain terminology that is unfamiliar to 20th (and 21st) century readers. I'm glad I purchased this edition, but I have purchased another edition that supplies what I just mentioned is lacking in this edition. This is a novel that you want to get involved deeper and more thoroughly with. The additional edition that I've bought will help me in that when I do a second reading.
A**R
Truly a classic!
I don't know what I expected when I chose to read this book. It wasn't required reading when I was in high school, still, I've heard of it my entire life, but so much was missed! I laughed out loud, was thoroughly disgusted, and even had tears in my eyes at one point. The antiquated terminology can be a little difficult to decipher at times, but not so much that it takes away from the story.
S**R
“Poet, painter and philosopher” a reviewer once called Melville. His subject matter and writing style are welded together as firmly as the 12 intertwining steel rods that make up Ahab’s harpoon and the fate of Ahab and the whale itself. The epic process of trawling through until the final confrontation mirrored The Pequod’s journey to same. As the end approached and I caught whiff, through one nostril, of the white whale’s proximity in the final pages, I deliberately slowed down my reading to more fully appreciate the journey, and because by now my reading eyes had synced with Melville’s Shakespearean rhythms, swirling poetry, dry wit, and grandiloquent turn of phrase, the final chapters were more joy than reward. The wit - after the crew had hauled all the heavy oil barrels up on deck: “top-heavy was the ship as a dinnerless student with all Aristotle in his head”. and: “The (whale’s) milk is very sweet and rich; it has been tasted by man; it might do well with strawberries.” The poetic: “In the face of all the glad, hay-making suns, and softcymballing, round harvest-moons, we must needs give in to this: that the gods themselves are not for ever glad. The ineffaceable, sad birth-mark in the brow of man, is but the stamp of sorrow in the signers.” The tormented Shakespearean soliloquizer: “what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is as an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I.” The philosophical: “consider them both, the sea and the land; and do you not find a strange analogy to something in yourself? For as this appalling ocean surrounds the verdant land, so in the soul of man there lies one insular Tahiti, full of peace and joy, but encompassed by all the horrors of the half known life” And the haughty self-referential: “To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be who have tried it.” Never was a book’s plot more secondary to its themes. It’s man versus everything; fate, circumstance, demons, ego, expectation, classism, religion, God, nature, empathy, understanding, brotherhood, the universe. An unforgettable and hard-won experience.
U**A
Livro novo e entregue sem qualquer dano físico.
J**N
El libro llegó un poquito después del día pactado, pero todo bien. El libro es una joya brutal de la literatura.
E**A
Great
N**F
The quality of the pages and the cover are not ideal.
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