Dare to Sketch: A Guide to Drawing on the Go

I was moved to buy this book after having seen just a few sketches in some sample pages. Those few sketches made me smile, and warmed me with their confidence and whimsy. And now, having read all 159 pages, lingered long over every sketch, all in one sitting, I can tell you, that for me, this is simply the most joyful, tip filled, inspirational, and liberating art book I’ve ever read, and I will treasure it for a long time to come. I’ve read other guides and help books that read like they were written by the failed, frustrated artist we all know who is always browbeating you with all the things you’re doing wrong. Sheinberger’s sketches, text, advice, and suggestions never cause you to feel downcast or overwhelmed, but are always encouraging and uplifting. Sheinberger is a good writer too. His text is generally limited to 2 to 5 easy to read paragraphs that take up maybe half a page and is mixed on page with a sketch that illustrates the point he’s making. Subject matter is conveyed in a focused and concise fashion so that, while brief, will leave you feeling you’ve been given a lot of information in a very few words. The one real thing the text immediately branded into me was that, I’m sketching for me. Not reality, not for others, and not for anyone’s approval. I had long understood these notions intellectually, but reading it in this little book, while perusing his wonderfully unconventional sketches, the concept was burned, indelibly, into me emotionally. The topics he covers include the typical: sketch tools, sketch books, perspective, landscapes, etc., but he does it creatively, and in a gentle, and encouraging manner. There is practical advice about public sketching etiquette, taking time to sketch, what to sketch, and lots more. This may have all been covered in other art books, but I have either not read, or enjoyed, those like I did this one; I felt refreshed and vitalized after reading it. I readily recommend this book and sincerely think you will not regret it.

I've always wanted to sketch small daily things, vacations, trips to the museum, etc. Somehow I felt like my private sketches had to look like the magnificent sketchbooks plastered on the internet, because of course we compare ourselves to the pretty things we see on the internet. So I never really tried to learn properly how to keep a casual sketchbook, despite years of on/off relationships with journals. Enter this book. 1. The author's attitude motivates without being cloying. He has a fantastic "just do it" attitude that makes sketching very accessible, with zero folksiness or condescension. I often find these types of books to be so simplistic in their approach that it seems the author thinks they need to dumb everything down and use very small words. This book gives excellent guidance on first purchases and provides strong starting points, but most importantly, it lays out the concepts simply, but not simplistically. 2. His drawings have enormous personality. None of the illustrations are classically "right," with ears in the wrong places, and weird angles on buildings, and odd lines here and there. But they're incredibly compelling and full of life, and demonstrate that the sketchbook isn't for getting it right, it's for capturing what you see - that person's quirked eyebrow, the way the dog leans on the guy's leg, the colors on the street. My take-away was to capture what I hear, smell, and feel as much as what's physically presented to my eye - and I love that. 3. The overall message is liberating. Sometimes training and looking at "great work" can feel very limiting, but the words and illustrations in this book make the point that there are lots of types of art out there. The kind you want to capture in your private sketchbook (or not private, as you choose) is entirely up to you. The sketchbook is for playing, experimenting, and getting things wrong. And all of it is good. This mental shift was pivotal for me, and was the kind of permission I think I was looking for to begin the kind of sketchbook I'll actually use and enjoy. I've almost filled a large Moleskine now, and have also devoured the author's other book on watercolor sketching (also very highly recommended). If I had a complaint, it's that I'd like him to write more books. If you're considering sketching for pleasure, this is one of your best starting places.

This delightfully well written book introduces the reader to the world of urban sketching. While it does not deal in huge detail with the actual materials of sketching, like which pen to use or favored watercolor brands, the author, a seasoned professional illustrator and artist, follows the time honored rule for writers, and in this case literally shows, not tells, how urban sketching is done. No, you won’t learn the rules of perspective or how to produce a realistic eye, as that is not the book’s main aim. You will instead learn, from wonderful colored reproduction of the authors work, what to sketch and where and why...If thé why is not obvious from reading the book, it lies half in the sheer joy of drawing, no matter how “sketchy” or “unrealistic” and half in the human need to preserve and to share memories. While the author insists that a sketchbook is personal and need not be shared, the fact that he shares his sketches here and in other books reveals that this is in fact a need. To share memories and observations and viewpoints is innate and utterly human, as is drawing itself. I highly recommend this book for anyone seeking inspiration to draw or sketch what interests her in the world. (Review written by Phoebe Sparrow Wagner)

A good instructional book about travelling and drawing. Although the author, like many others, has his own ideas about things. Once you realise he feels strongly opinionated about certain things and that you also are entitled to your opinion the reading of the book is more enjoyable. Obviously written by a well travelled artist. Between this and a few other books I have read about sketchbooks I don't feel as if I have to be Leonardo or Vincent anymore due to the illustrations the authors of such book have done in their sketchbooks.

I love Felix Scheinberger's work and have his other book, "Urban Watercolor Sketching." I've enjoyed both books equally, not only for the fantastic drawings and inspiration, but also for the many tips on techniques, materials, and — in this case — stuff such as how to handle sticky situations when sketching publicly. There isn't a ton of text, so I was able to read it in one sitting, but the text it has is very much to the point, and I didn't feel I needed additional information. I would recommend this book to anyone thinking of making urban sketching and/or travel sketching a major part of their art practice, as well as anyone looking for a bit of visual inspiration from someone with a very loose and appealing style.

I love this book and his method. Tips like starting in the middle, it doesn't have to be perfect, etc.

This is a sturdy book, with a very nice feeling to it. Beside that, I can't stress enough how inspiring this book is for me. Short chapters with lots of illustrations, each chapter striking a defined point, resulting in a stimulating reading that is giving me many ideas to think about and to develope. For some reasons I'm getting more from this book than from others that seem more technical, but end up just being boring. I think this is a successful mixing of written ideas and spot-on illustrations. Five stars.

Bin nicht unbedingt sein größter Fan aber er wächst mir mehr und mehr ans Herz. Im Buch sind wirklich gut tips und Ideen.

I don't recall ever ordering or reading this book but I'm sure it's as good as the other ones. My advice is forget these books and join some drawing classes. Someone said you need 75,000 hours to be good at something. That applies to drawing also.