Dunlop EQ Effects Pedal

Full send!! So happy when this arrived. I plugged it into the signal chain head of the Vox wah pedal I had been using for bass. Used the Vox first to set the reminder of what I have been doing for the past 5 years, then used the Dunlop Cry Baby 105Q wah - full send with the bypassed bottom end while all the mid and tops where sent to wah heaven. IT was powerful and left me wondering how i survived this long without it. I cant wait to hear it through a concert rig!

My best pedal out of five. PK

Je joue dans un groupe de doom psyché et j'ai donc eu l'occasion de tester la wah de mon guitariste. Déçu du résultat (on entendait rien sauf dans les aigus) j'ai décidé de m'orienter vers ce modèle spécialement conçu pour la basse. Le bonheur ! Tout le spectre est couvert, la 105Q est super facile à utiliser (pas besoin de l'enclencher, quand on commence à collectionner les pédales c'est un gain de temps très précieux), facilement réglable grâce aux deux petits potentiomètres sur le côté et on sent la qualité de fabrication. Je n'ai jamais été un bassiste de funk mais je ne peux pas m'empêcher de jouer quelques groove à la wah juste pour le plaisir. Si je devais trouver un seul inconvénient, je dirais tout simplement de faire attention car on a vite envie d'en coller partout dans les morceaux!

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I started with the Morley Dual Bass Wah based on the reviews I read and having tried one out. A solid pedal, it was great for the more subtle, clean bits, but in a full volume, overdriven & fuzzed up scenario I couldn't get it to cut through. So I went on to the Ibanez Weeping Demon WD7. It cut through on the heavy bits all right, but with all its bells and whistles (I lost count of how many knobs and adjustments it had), I could never get it to sound subtle enough for the clean, chilled-out parts. It just sounded too artificial. Not to be negative, but you could say that's typical Ibanez. So I finally invested in a new Cry Baby. These use an old-school potentiometer in the rocker mechanism, and not fancy optical magic, and the pots can wear out after time, so I bought brand new for a change. (But don't let that put you off! The part is replaceable. Just keep it in mind if you're considering a very cheap used Cry Baby.) Sound-wise it had everything I wanted - nice and funky on the clean, subtle parts, and cuts through the heavy fuzz just fine. The Variable Q knob gives more than enough control over the depth of the wah, and I really like the spring-loaded pedal with the auto-off, as I'd gotten used to that with the first two wahs. The Cry Baby sounds (and looks) so classic, and that fits right in with the rest of my gear and the music we play.