Tiffen 58PM14 58mm Pro-Mist 1/4 Diffusion Camera Filter

This is my favorite diffusion filter. This regular pro mist 1/4 grade is just subtle enough to bloom the highlights in the image and produce a crisp vintage look. 1/2 starts to look like 80's prom portraits, and heavier grades like 1-3 create a thick, foggy, fantasy look. Unlike the black pro mists, the regular pro mists do not lift the blacks; they are not low contrast filters. Use this filter if you want your images to have a natural looking glow without seeming foggy or losing focus.

Creamy footage, the 1/4 Pro Mist makes my BMPCC look like a mini Alexa, couldn't recommend this more!!!

This filter maybe nice but it came looking like it was used. I tested it out after cleaning it but it had such a film on it but it would not come off. Images and video I talk through it looked okay but I got so upset that I couldn't get it clean I just slammed it on the ground. That's what I think this filters worth it's garbage.

Got this to bloom highlights, aka a halation filter. I don't think the BPM does this as well. And it's different from the diffusion effect in software. Can't beat the in camera effect!

I looked at a lot of youtube reviews and did a lot of research.I wasn't sure of the filter, but once I bought it and used it I couldn't go back

One of the first of the modern diffusion filters, developed in the 80s I think. The lower strengths like this one are beautiful. They get too 'foggy' for my taste at #1 and higher.

This thing is amazing for that the effect that we are all seeking as portrait photographers or cinematographers.

Bought the wrong filter meant to buy a black pro-mist but it gets the job done for now

If you want to buy just one filter and wondering whether you should get the 1/8 or this one, i would say this is the one. 1/8 can be too subtle, in a way that in some situations you barely even notice it's there (maybe that's what you're going for). This is not the case with the 1/4, you get the stylized look in a very balanced way, without overpowering the image.Pro-mist vs Black mist, they have basically the same effect, but if you're shooting movies and using a LOG profile i would suggest this one (regular pro-mist). The black pro-mist reduces contrast even further which in my opinion can be a bit too much for LOG footage. It also cuts light because of the black particles in it, so again, i would suggest the Pro-Mist. If you're shooting in more contrasty image styles then you probably should get the black pro-mist (same applies for photography).

Magic filter! I was really skeptical, have seen it on YT and was actually expecting that I need to send it back (like so often with these honest influencer :)Anyway, I love that filter, ought a second one and it’s now 90% of the time attached to my GH5, the filter makes the GH5 footage a bit softer, which I pretty much like, when you use it for night shots it hides a bit the poor low light performance of the GH5 by applying a glow effect to all light sources. Very nice!

ordered 3 times all in terrible condition. avoid

Nella prima ora di utilizzo di questo filtro ero convinto nel rimandarlo indietro immediatamente: non riuscivo a notare NESSUNA differenza da prima, e dato che sono comunque più di 100 euro, ero molto deluso.Ho deciso però di dargli una seconda chanse, e quindi ho girato un video per testarlo.Riguardando le clip a computer ed editando il video ho potuto vedere l'effetto.Veramente ottimo, si sa, ma nessuno fa notare questa cosa: è presente una filettatura che permette di montarci sopra filtri ND.1|4 è perfetto.

Die Lieferung war sehr zügig und obwohl Eugen Eva & Wilhelm nur nach Deutschland liefert, wurde mir der Filter nach Österreich geliefert. An dieser Stelle mein Danke.Der Pro Mist Filter von Tiffen schluckt so gut wie gar kein Licht, sondern senkt leicht Schärfe. Bei Stärken von 1 aufwärts es wird allerdings schon zu sehr Glow.Mit Davinci Resolve kann man bei diversen Einstellungen ebenfalls diesen Glow Effekt hinbekommen. Da allerdings in der Post ohnehin genug Arbeit anfällt, war es meine Intention gleich den Pro Mist Filter 1/4 von Tiffen auf das Objektiv zuschrauben - zumal ich bereits beim Dreh sehe wie er sich verhält.Es sei jedoch erwähnt das in der Nacht bei Beleuchtungen es zu vielen Reflexionen kommen. Da hilft nur leicht die Perspektive zu verändern. Für Musikvideo schon ein Must to Have, für eine Dokumentation ein No-Go.Dan Laustsen benutzte für die letzten zwei Filme von Guillermo del Toro (Shape of Water, Crimson Peak) ebenfalls Pro Mist Filter. Hingegen beim Hobbit verwenden sie diesen Effektfilter meiner Meinung fast schon zu stark.In Zeiten wie 4K klingt es wahrscheinlich seltsam mit einem Pro Mist Filter wieder eine ganz leichte Unschärfe ins Bild zu bekommen, dennoch bleiben die Details ja erhalten. Würden wir in einem Spielfilm alles wahrnehmen würden uns die Bilder erschlagen, hingegen ein 80 Megapixel Foto man lange betrachten kann.