Waking the Dead [DVD]

Keith Gordon has again bowled me over with a magnificent piece of filmmaking. "Waking the Dead" shares many of the same elements as his "A Midnight Clear" (still in my view the best WWII drama of modern times) -- a skillful adaptation of a powerful novel, intense performances from the entire cast, and careful attention to the rhythm and pacing of his story. And two other things that are especially rare in today's mainstream movies: the deliberate ambiguity of the ending and nuanced characters that are neither black nor white but multiple shades of grey. Hollywood must hate this, and it must baffle many moviegoers. The general public is force-fed so many lifeless, undemanding, predictable movies with cardboard characters that they probably didn't reward this gem at the box office (Gordon's commentary track implies that this movie was a semi-flop, commercially, which is tragic -- and probably makes it only harder for him to continue to shoot quality films). One hopes "Waking the Dead" will find its audience on home video, much as the well-respected "A Midnight Clear" (which I saw several times in the theatre) seems to have. Another reviewer has pointed out the double-meaning behind the title -- the "dead" here refers to both Sarah, believed to be physically dead, and Fielding, who has found his soul wasting away since losing her. Can Fielding bring himself as well as Sarah back to life? The story is also tellingly noncommittal as to Sarah's actual status. By the end of the film, we still don't know if Sarah is secretly alive, a ghost from the other side, or simply a product of Fielding's mental breakdown. Everything in the script leaves the question wide open for interpretation, and the effect is both chilling and intensely moving. The emotional wave of the story builds to a final confrontation between the principal characters that is truly heart-rending. I think this is one of those movies best served by a review that does not give away too many surprises or attempt to detail too much of the plotline. Suffice to say that if you appreciate a human-scale drama that operates on several levels of meaning, you will find yourself drawn in by this one and riveted by the performances of Billy Crudup and Jennifer Connelly. It's a film that only gets richer and more rewarding with every viewing. Looking for a love story/ghost story for grown-ups? "Waking the Dead" is a sure-fire winner. Some parting notes: Most directors today hit you over the head with the soundtrack music and then lazily try to let the songs carry the picture. While Gordon is not totally above this contemporary shorthand, he has enough good taste and filmmaking savvy not to let this technique dominate these scenes. And his musical selections are spot-on. Although Connelly and Crudup are THE key players, the entire cast is outstanding, and deserves a bow. The DVD extras are generous and revealing. Unlike the deleted scenes from Gordon's "A Midnight Clear," which did seem disposable, I felt all these cut scenes SHOULD have been restored for a "Waking the Dead" Extended Cut. It's sad that they can't be part of the regular narrative; they add a wealth of character development and detail that would have made the theatrical version even richer. Ed Harris, in particular, is deservedly singled out by Gordon's commentary and reviewers here for his exceptional portrayal of a disgraced congressman. I read the book AFTER I saw the film, being inspired to learn more about this story's genesis. While very fine, I have to say that I still prefer the movie and its more immediate impact. But that's par for the course -- I tend to always prefer the medium in which I was first exposed to something, be it print form or cinematic. I would recommend the novel to anyone who likes the picture. But I note with some bemusement that Fielding seems a much less likable fellow in the book.

Very few movies remain in your mind long, long after the curtain falls. Waking the Dead shall be considered a masterpiece of historic, as well as behavioral standpoint. From mid 60's to late 70's, the World has changed in a way we - the baby boomers, cannot forget, yet we find an intense difficulty to forward those values to today's generations. As I was a grown man at the time, the film touches me particularly through the process of bringing back the political process in the Americas by then. Chile, Brazil, Argentina, Bolivia, Peru, Cuba and the US were in turmoil: in politics, in the Arts, everywhere. However, we still remained deeply marked by a certain blend of idealism, naiveness and a remarkable determination to correctness in every aspect of Life. Those values seem to have vanished in present times! This said, it becomes easier to understand the script behind the scenes and the disturbances in Fielding's mind. Crudup's interpretation should have earned him the Oscar, but not alone. Jennifer Connelly's Sarah was so real that has trascended her natural and amazing beauty to produce a couple in love which rarely exists today. Their love scenes approached moments of ECTASY very few actor/actresses have the power to produce so realisticaly. Jennifer's path to her deserved Oscar with A Beatiful Mind was clearly set thereat. One must have lived those experiences to understand that everything in the movie looks like watching tapes - of real life - long buried in his/her mind. Thank you Gordon, for this movie! Thank you Crudup, for your remarkable talent and for reminding us of cruel times and the victory of love over them; Thank you, Jennifer, for making us forget your amazing beauty and concentrate on your mesmerizing Sarah. An absolute marterpiece!

A very compelling movie about true love, sacrifice and our own abitions... and what happens when they seemingly collide. It's a story about two very different people, with two very different views of the world, superfically opposing views - and yet they are really very much the same. All told from the main character Fielding's point of view. It's a story told from the middle about Fielding and Sarah, and her tragic death. It brings you through Fielding's coming to terms with her life, and his. The one thing they have in common is each other, and the real "why" they want what they want. It's haunting and captivating. A tale of lost love. A story about reconcilling life choices..those things we sacrifice everything for, and how we sometimes forget, what we were trying to do in the first place. It's a tale about that reality check. Fielding coming to terms with his conscious. The "whys". Maybe the true realization of his own destiny - and his true love, and what this all means when you find out maybe you somehow got lost on the way... It's also a lesson. Love doesn't come - or go so easily. It haunts and reminds you of why you love in the first place. Sometimes the hardest choices, are the ones you don't really get to make. We long to be whole. We "need" that part of us that we are lacking or miss. For whom chooses who and why we love? It's a tragedy in the traditional shakespeare sense. A great story, and great movie. A story of two people who "need" each other to fufill their own destiny, and they do. Sarah just has to remind Fielding what it's all about. Even it's only his heart reminding him.

Somber movie. I enjoyed it. I love Jennifer Connely. I think some might find it to be a slow burn, but I like those sorts of movies.

DVDはNTSCかMULTI（ALL）のREGION FREEで助かりましたが正規のWBのリリース品でないのが残念でしたが。 ほぼ満足です。

Quando un sentimento è tanto forte da piegare la realtà e confonderla con l'immaginazione, tutto si altera e non si capisce più cosa sia vero e cosa sia immaginato !!!

Amazing film, tremendous performances from Crudup and Connelly, haunting stuff. The upgrade to HD/ blu ray isn't as clean as I would have hoped.

Dieser Film ist ein echter visueller und geistiger Leckerbissen für alle, die gern Schauspieler mit ihrer eigenen Stimme hören. Für diejenigen, denen das Englische weniger leicht fällt ist das ein guter Grund, die Untertitel einzuschalten und Schlüsselszenen dreimal anzusehen. Jennifer Connelly läuft in der Rolle der idealistischen und leidenschaftlichen Friedensaktivistin Sarah Williams in ihrer rückhaltlosen aber problembeladenen Liebe zu dem Politiker Fielding Pierce (Billy Crudup) zu absoluter Höchstform auf. Sie überzeugt nahezu mühelos Kopf und Herz bei der warmherzigen Darstellung dieses liebens-würdigen Charakters: einerseits voller Tiefe, Ernsthaftigkeit und Intelligenz andererseits mit freigeistig lustvoller Lebensfreude und scheinbar unbegrenzter Liebesbereitschaft und Leidensfähigkeit. Billy Crudup entpuppt sich dabei als ebenbürtig stark in diesem mitreißenden Ringen um Ziele und Wege, Ehrlichkeit und Wirksamkeit in Menschlichkeit, Liebe, Lust und Schmerz. Die Ursache der dargestellten tiefen Tragik liegt im Zusammenprall des (leider an sich schon allzu seltenen und schwierigen) Bemühens um Verteilungsgerechtigkeit INNERHALB eines fast durchweg korrupten Systems mit dem nahezu aussichtslosen Widerstand gegen die menschenverachtenden und rücksichtslos tödlichen Außenwirkungen dieses Systems im "Rest der Welt". Die Botschaft ist keineswegs dick aufgetragen, aber für sehende Augen trotzdem deutlich. Fazit: Eine leider weitgehend unterschätzte, großartige Jodi Foster Produktion!

Great film