---
product_id: 641116045
title: "Lumix DC-GH7E Micro Four Thirds Mirrorless Camera Body, 25.2MP, C4K/4K 4:2:2 60/50p Video, Phase Hybrid AF, Active IS, 32-Bit Float Audio, OLED Viewfinder, Free-Angle Monitor, Black"
brand: "panasonic"
price: "17717 zł"
currency: PLN
in_stock: true
reviews_count: 6
category: "Panasonic"
url: https://www.desertcart.pl/products/641116045-lumix-dc-gh7e-micro-four-thirds-mirrorless-camera-body-25
store_origin: PL
region: Poland
---

# C4K/4K 60p 4:2:2 10-bit video Phase Hybrid AF with 236 points 25.2MP BSI CMOS sensor Lumix DC-GH7E Micro Four Thirds Mirrorless Camera Body, 25.2MP, C4K/4K 4:2:2 60/50p Video, Phase Hybrid AF, Active IS, 32-Bit Float Audio, OLED Viewfinder, Free-Angle Monitor, Black

**Brand:** panasonic
**Price:** 17717 zł
**Availability:** ✅ In Stock

## Summary

> 🎬 Elevate your storytelling with the GH7 — where pro video meets powerhouse precision.

## Quick Answers

- **What is this?** Lumix DC-GH7E Micro Four Thirds Mirrorless Camera Body, 25.2MP, C4K/4K 4:2:2 60/50p Video, Phase Hybrid AF, Active IS, 32-Bit Float Audio, OLED Viewfinder, Free-Angle Monitor, Black by panasonic
- **How much does it cost?** 17717 zł with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.pl](https://www.desertcart.pl/products/641116045-lumix-dc-gh7e-micro-four-thirds-mirrorless-camera-body-25)

## Best For

- panasonic enthusiasts

## Why This Product

- Trusted panasonic brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Built for the Hustle:** Durable, weather-resistant body with free-angle OLED viewfinder and USB-C charging keeps you shooting anywhere, anytime.
- • **Rock-Solid Stability:** Advanced Dual I.S. 2 and Active IS deliver blur-free photos and smooth video, even on the move.
- • **Unmatched Image Clarity:** 25.2MP sensor with Dynamic Range Boost captures every detail in any light.
- • **Cinema-Grade Video Quality:** Shoot unlimited 4K 60p 10-bit 4:2:2 and ProRes Raw HQ internally for professional-grade footage.
- • **Precision Autofocus Mastery:** Phase Hybrid AF with 236 points ensures razor-sharp focus even in challenging low-light or fast-action scenes.

## Overview

The Panasonic Lumix DC-GH7E is a professional-grade Micro Four Thirds mirrorless camera body featuring a 25.2MP BSI CMOS sensor, advanced Phase Hybrid autofocus with 236 points, and unlimited internal 4K 60p 10-bit 4:2:2 video recording including ProRes Raw HQ. Designed for hybrid shooters, it combines high-resolution stills and cinema-quality video with robust image stabilization (Dual I.S. 2 and Active IS), a durable weather-sealed body, and a versatile free-angle OLED viewfinder. USB-C charging and seamless social sharing via the LUMIX Lab app make it a cutting-edge tool for content creators who demand precision, speed, and reliability in any environment.

## Description

Equipped with a 25.2MP BSI CMOS sensor with PDAF, ProRes RAW HQ internal recording and 32-bit float recording, LUMIX's flagship hybrid camera allows you to produce high-quality and high-efficiency content with minimal setup.

Review: Huge Upgrade from GH5 - I have been shooting professionally with Panasonic GH series cameras since the GH4 was released 10 years ago. In 2017 I added the GH5 as my main camera and kept the GH4 as a B cam / drone cam. I bought a GH5S in 2021 (which is mainly used on a gimbal, now recording ProRes Raw to a Ninja V) and retired the GH4. The GH5S is a keeper, but I skipped the GH6 and nearly moved to the full frame S series with phase-detect AF until the flagship M43 GH7 was announced. It's like Panasonic has really listened to their GH user base with this camera: internal ProRes and ProRes Raw, phase-detect autofocus, open gate recording, 32bit internal audio (with the DMW-XLR2), and - amazingly - optional ARRI LogC3 which will be a major bonus for us flying the GH7 on a drone on sets with ARRI Alexas. Moving from the GH5 to the GH7 is quite a change in body style, the GH7 is much chunkier and has a deep grip on the right hand side. Ergonomically it's much more video-centric than the previous models in the series, with nice additions such as a record button on the front by the lens, and tally lamps front and rear. As much as I loved the handling of the GH5, the GH7 is a real joy to hold. I have mine in a Smallrig cage with a wooden handle on the left. Because I use the DMW-XLR2 audio adapter I can't use a top handle, the wooden handle is very useful for picking the camera up. It's by no means a small camera, considering the sensor size it's actually larger than the full frame S5 series, however they have packed a lot of high tech into the GH7, plus a fan to keep all the tech cool for unlimited recording (which you can barely hear). Gone are the two SD card slots, one having been replaced with a CFExpress Type B for fast internal storage. ProRes can only be recorded to the CFExpress card internally (or via an external monitor such as the Ninja V, or a USB-C external SSD), but the standard Panasonic codecs can write to both. It can also record ProRes / ProRes Raw to the CFExpress card and proxy media to the SD Card (and you can bake in LUTs with the later). I use native MFT lenses on my GH5S but on the GH7 I use the ubiquitous Canon fit Sigma 18-35 f/1.8 Art on a Metabones Speed Booster Ultra, along with the Sigma 24-105 f/4. The Speed Booster makes the 18-35 into a 13-25 f/1.3 lens, and the 24-105 to a very useful 17-75 f/2.8. I also use a Sigma 150-600 f/5-6.3 which is a fast f/3.5-4.4 with the Speed Booster. Metabones has recently released a firmware upgrade for their Speed Boosters and adapter rings that enables the phase-detect autofocus, my Sigma lenses focus pretty much as quickly and accurately as native glass. The phase-detect autofocus is a huge improvement over Panasonic's depth from defocus AF implementation on the previous GH cameras. This video was shot with the Sigma 24-105 f/4 wide open, using full area AF with subject detection. It keeps focus during zooming perfectly, with no hunting that was prevalent with the previous AF, even on native lenses. I tend to use manual focus for most of my productions, but given how quick and accurate it now is I may start using it for more dynamic scenes. There's just so much more to go into with this camera that I could spend the day writing this review. Suffice to say it's a phenomenal upgrade from the GH5 (and the phase-detect autofocus alone is a worthy upgrade from the GH6). It also excels at photography with its 25MP sensor, in fact all the photocentric features of the G9 II made it in to the GH7, so it's a true hybrid camera. If you have invested in MFT lenses, or like myself use an EF-MFT Speed Booster with fast EF Sigma lenses then from a video perspective it's a no-brainer to go for the GH7. There's a lot of new features that may not make it in to Panasonic's full frame cameras (the ARRI LogC3 being one of them), and now with the phase-detect autofocus it's a serious contender to the Sony and Canon hybrid cameras. If you have no MFT lenses, or maybe a GH4 with a 12-60 kit lens then it could make sense to go for a full frame camera, especially if you plan to use it for photography as well, but the GH7 really shines as a hybrid videocentric camera that takes great photos. Also, high quality lenses tend to be a bit cheaper than their full frame equivalents, and generally smaller and lighter which can make a difference shooting hand held for long periods. Overall I am delighted with the GH7, and glad that I passed on the GH6 (which is still a great hybrid camera). Shooting ProRes and ProRes Raw internally is a game changer, the phase-detect AF is up there with Sony and Canon, and the 32bit float internal audio is a first for any camera, no more worrying about clipping audio!
Review: Great camera, I work with the Sirui night vision series and I'm totally satisfied.

## Features

- 25.2MP SENSOR: Capture every detail with the powerful 25.2MP BSI CMOS sensor on this compact digital camera, offering enhanced Dynamic Range Boost across the entire ISO range, perfect in any light
- PHASE HYBRID AF: Precisely pinpoint subjects with this sports camera's Phase Hybrid AF, offering increased tracking accuracy even in low light and backlit scenes
- IMAGE STABILISATION: Experience sharp, blur-free photos and videos at night, or when zoomed in or walking, thanks to B.I.S, Dual I.S 2 and Active I.S., while E.I.S corrects perspective distortion for video shooting
- VIDEO RECORDING: Elevate your filmmaking and content with C4K/4K 60p 4:2:2 10-bit unlimited recording on this vlogging camera, plus ProRes Raw HQ and 32-bit float recording provide high-quality output with minimal setup
- SEAMLESS SOCIAL SHARING: Utilise the LUMIX Lab app on this 4K video camera for seamless social sharing and creative control, enhancing your workflow with easy camera pairing and versatile editing tools
- DURABLE & VERSATILE: This travel camera boasts a dust, splash, and freeze-resistant body for shooting in tough conditions, while the tilt & free-angle monitor allows for creative composition in any setting
- UNIVERSAL CHARGING: As part of Panasonic's commitment to reduce its environmental impact, this product has the universal USB-C charging port but DOES NOT include a USB cable or AC adapter. Customers are encouraged to reuse existing accessories where possible, or if required these items can be purchased separately.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B0D6RTT1X1 |
| Age Range Description | All ages |
| Aperture modes | F1.8-F22 |
| Are Batteries Included? | No |
| Aspect Ratio | 4:3 |
| Auto Focus Technology | Hybrid |
| Autofocus | Yes |
| Autofocus Points | 236 |
| Best Sellers Rank | 53,034 in Electronics & Photo ( See Top 100 in Electronics & Photo ) 106 in Mirrorless Cameras |
| Bit Depth | 10 Bit |
| Box Contents | Camera Body Only |
| Brand Name | Panasonic |
| Camera Flash Type | no flash |
| Camera Lens | This digital camera is compatible with Telephoto lenses, offering optical zoom capabilities for detailed shots. |
| Colour | Black |
| Compatible Devices | Computers, smartphones, tablets, external storage devices |
| Compatible Flash Memory Type | SD |
| Compatible Mountings | Micro Four Thirds |
| Continuous Shooting Speed | 10 FPS |
| Crop Mode | 4:3 |
| Customer Reviews | 4.9 4.9 out of 5 stars (24) |
| Digital Zoom | 10 x |
| Digital-Still | Yes |
| Display Fixture Type | Articulating |
| Display Maximum Resolution | 1920 x 1080 |
| Display Type | OLED |
| Dots Per Screen | 1840000 |
| Effective Still Resolution | 25.2 |
| Expanded ISO Maximum | 25600 |
| Exposure Control | Automatic, Manual |
| File Format | MP4, RAW |
| Flash Memory Bus Interface Type | UHS-II |
| Flash Memory UHS Speed Class | UHS Speed Class 3 |
| Flash Memory Video Speed Class | 30 or V30 |
| Flash Modes Description | Automatic |
| Focus Features | Hybrid |
| Focus Mode | Continuous-Servo AF (AF-C) |
| Focus Type | Auto and manual focus |
| Form Factor | Mirrorless |
| Generation | 7 US |
| Has Color Screen | Yes |
| Image Capture Type | Stills & Video |
| Image Stabilization Type | Body, Dual 2, Active |
| Item Weight | 805 Grams |
| JPEG Quality Level | Fine |
| Lens Construction | mirrorless |
| Lens Type | short NA |
| Manufacturer | Panasonic |
| Manufacturer Part Number | DC-GH7E |
| Maximum Aperture | 1.8 Millimetres |
| Maximum Display Resolution | 0.7 MP |
| Maximum Image Size | 25.2 MP |
| Maximum Shutter Speed | 2 seconds |
| Metering Methods | Center Weighted |
| Minimum Shutter Speed | 0.0083 seconds |
| Model Name | GH7 |
| Model Number | DC-GH7E |
| Model Series | GH |
| Movie Mode | Yes |
| Network Connectivity Technology | USB |
| Night vision | No |
| Optical Zoom | 1 x |
| Phase Detection Sensor Points | 1 |
| Photo Sensor Size | 2/3-inch |
| Product Features | Phase Hybrid AF, image stabilization (B.I.S, Dual I.S 2, Active I.S), 4K/60p video recording, ProRes Raw HQ and 32-bit float recording |
| Real Angle Of View | 84.1 Degrees |
| Rear Webcam Resolution | 25.2 MP |
| Recording Capacity | 1750 Minutes |
| Remote Included | No |
| Screen Size | 3 Inches |
| Self Timer | 10 |
| Sensor Type | BSI CMOS |
| Series Number | 7 |
| Shooting Modes | Program, Aperture Priority, Manual, Movie, Sports, Night, Macro |
| Skill Level | Professional |
| Specific Uses For Product | Videography, Vlogging |
| Supported Image Format | RAW |
| Total Still Resolution | 25.2 MP |
| Total USB Ports | 1 |
| Total Video Out Ports | 1 |
| Touch Screen Type | Capacitive |
| Video Capture Format | ProRes Raw |
| Video Capture Resolution | 4320p |
| Video Output | HDMI |
| Viewfinder Magnification | 1.0x |
| Viewfinder Type | Electronic |
| White Balance Settings | Auto |
| Wireless Technology Type | Wi-Fi |
| Write Speed | 120 fps, 60 MB/s |
| Zoom | Optical Zoom |

## Product Details

- **Aspect ratio:** 4:3
- **Brand:** Panasonic
- **Compatible mountings:** Micro Four Thirds
- **Image stabilisation:** Body, Dual 2, Active
- **Maximum aperture:** 1.8 Millimetres
- **Metering description:** Center Weighted
- **Model name:** GH7
- **Optical zoom:** 1 x
- **Photo sensor technology:** BSI CMOS
- **Supported file format:** MP4, RAW

## Images

![Lumix DC-GH7E Micro Four Thirds Mirrorless Camera Body, 25.2MP, C4K/4K 4:2:2 60/50p Video, Phase Hybrid AF, Active IS, 32-Bit Float Audio, OLED Viewfinder, Free-Angle Monitor, Black - Image 1](https://m.media-amazon.com/images/I/71eLxLABiAL.jpg)

## Available Options

This product comes in different **Style** options.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Huge Upgrade from GH5
*by R***G on 4 November 2024*

I have been shooting professionally with Panasonic GH series cameras since the GH4 was released 10 years ago. In 2017 I added the GH5 as my main camera and kept the GH4 as a B cam / drone cam. I bought a GH5S in 2021 (which is mainly used on a gimbal, now recording ProRes Raw to a Ninja V) and retired the GH4. The GH5S is a keeper, but I skipped the GH6 and nearly moved to the full frame S series with phase-detect AF until the flagship M43 GH7 was announced. It's like Panasonic has really listened to their GH user base with this camera: internal ProRes and ProRes Raw, phase-detect autofocus, open gate recording, 32bit internal audio (with the DMW-XLR2), and - amazingly - optional ARRI LogC3 which will be a major bonus for us flying the GH7 on a drone on sets with ARRI Alexas. Moving from the GH5 to the GH7 is quite a change in body style, the GH7 is much chunkier and has a deep grip on the right hand side. Ergonomically it's much more video-centric than the previous models in the series, with nice additions such as a record button on the front by the lens, and tally lamps front and rear. As much as I loved the handling of the GH5, the GH7 is a real joy to hold. I have mine in a Smallrig cage with a wooden handle on the left. Because I use the DMW-XLR2 audio adapter I can't use a top handle, the wooden handle is very useful for picking the camera up. It's by no means a small camera, considering the sensor size it's actually larger than the full frame S5 series, however they have packed a lot of high tech into the GH7, plus a fan to keep all the tech cool for unlimited recording (which you can barely hear). Gone are the two SD card slots, one having been replaced with a CFExpress Type B for fast internal storage. ProRes can only be recorded to the CFExpress card internally (or via an external monitor such as the Ninja V, or a USB-C external SSD), but the standard Panasonic codecs can write to both. It can also record ProRes / ProRes Raw to the CFExpress card and proxy media to the SD Card (and you can bake in LUTs with the later). I use native MFT lenses on my GH5S but on the GH7 I use the ubiquitous Canon fit Sigma 18-35 f/1.8 Art on a Metabones Speed Booster Ultra, along with the Sigma 24-105 f/4. The Speed Booster makes the 18-35 into a 13-25 f/1.3 lens, and the 24-105 to a very useful 17-75 f/2.8. I also use a Sigma 150-600 f/5-6.3 which is a fast f/3.5-4.4 with the Speed Booster. Metabones has recently released a firmware upgrade for their Speed Boosters and adapter rings that enables the phase-detect autofocus, my Sigma lenses focus pretty much as quickly and accurately as native glass. The phase-detect autofocus is a huge improvement over Panasonic's depth from defocus AF implementation on the previous GH cameras. This video was shot with the Sigma 24-105 f/4 wide open, using full area AF with subject detection. It keeps focus during zooming perfectly, with no hunting that was prevalent with the previous AF, even on native lenses. I tend to use manual focus for most of my productions, but given how quick and accurate it now is I may start using it for more dynamic scenes. There's just so much more to go into with this camera that I could spend the day writing this review. Suffice to say it's a phenomenal upgrade from the GH5 (and the phase-detect autofocus alone is a worthy upgrade from the GH6). It also excels at photography with its 25MP sensor, in fact all the photocentric features of the G9 II made it in to the GH7, so it's a true hybrid camera. If you have invested in MFT lenses, or like myself use an EF-MFT Speed Booster with fast EF Sigma lenses then from a video perspective it's a no-brainer to go for the GH7. There's a lot of new features that may not make it in to Panasonic's full frame cameras (the ARRI LogC3 being one of them), and now with the phase-detect autofocus it's a serious contender to the Sony and Canon hybrid cameras. If you have no MFT lenses, or maybe a GH4 with a 12-60 kit lens then it could make sense to go for a full frame camera, especially if you plan to use it for photography as well, but the GH7 really shines as a hybrid videocentric camera that takes great photos. Also, high quality lenses tend to be a bit cheaper than their full frame equivalents, and generally smaller and lighter which can make a difference shooting hand held for long periods. Overall I am delighted with the GH7, and glad that I passed on the GH6 (which is still a great hybrid camera). Shooting ProRes and ProRes Raw internally is a game changer, the phase-detect AF is up there with Sony and Canon, and the 32bit float internal audio is a first for any camera, no more worrying about clipping audio!

### ⭐⭐⭐⭐⭐ Review
*by G***S on 8 October 2025*

Great camera, I work with the Sirui night vision series and I'm totally satisfied.

### ⭐⭐⭐⭐⭐ Review
*by C***O on 5 January 2026*

Conforme à ce que j'attendais.

## Frequently Bought Together

- Panasonic Lumix DC-GH7E Micro Four Thirds Mirrorless Camera Body, 25.2MP, C4K/4K 4:2:2 60/50p Video, Phase Hybrid AF, Active IS, 32-Bit Float Audio, OLED Viewfinder, Free-Angle Monitor, Black
- Panasonic Lumix 25mm F1.7 | H-H025E-K Prime Lens, Black - Micro 4/3 Mount Compatible Panasonic & Olympus
- SanDisk 128GB Extreme PRO SDXC card, SD Card, V30 Memory Card, 4K UHD, up to 200 MB/s, SanDisk QuickFlow Technology, RescuePro Deluxe Data Recovery Software, UHS-I, Class 10, U3, V30

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*Product available on Desertcart Poland*
*Store origin: PL*
*Last updated: 2026-04-25*