---
product_id: 48001772
title: "UCA202 U-Control Ultra low-latency 2 In/2 Out USB/Audio Interface"
brand: "behringer"
price: "169 zł"
currency: PLN
in_stock: true
reviews_count: 8
url: https://www.desertcart.pl/products/48001772-uca202-u-control-ultra-low-latency-2-in-2-out
store_origin: PL
region: Poland
---

# Ultra low-latency 48 kHz converters 2 In/2 Out USB audio interface USB bus-powered, no external supply UCA202 U-Control Ultra low-latency 2 In/2 Out USB/Audio Interface

**Brand:** behringer
**Price:** 169 zł
**Availability:** ✅ In Stock

## Summary

> 🎧 Elevate your sound game—pro audio quality in a pocket-sized powerhouse!

## Quick Answers

- **What is this?** UCA202 U-Control Ultra low-latency 2 In/2 Out USB/Audio Interface by behringer
- **How much does it cost?** 169 zł with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.pl](https://www.desertcart.pl/products/48001772-uca202-u-control-ultra-low-latency-2-in-2-out)

## Best For

- behringer enthusiasts

## Why This Product

- Trusted behringer brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **On-the-Go Power:** Powered entirely via USB—ditch bulky adapters and stay mobile.
- • **Precision Monitoring:** Dedicated stereo headphone output with level control for flawless real-time audio checks.
- • **Seamless Plug & Play:** Works instantly with PC & Mac—no drivers needed, just connect and create.
- • **Versatile Connectivity:** Dual RCA inputs/outputs plus S/PDIF optical output for flexible setups.
- • **Pro-Grade Audio Quality:** High-resolution 48 kHz converters deliver crisp, studio-level sound clarity.

## Overview

The Behringer UCA202 U-Control is a compact, ultra-low latency 2 In/2 Out USB audio interface designed for seamless analog-to-digital and digital-to-analog conversion. Featuring 48 kHz high-resolution converters, USB bus power, and plug-and-play compatibility with PC and Mac, it enables professional-quality recording and playback without complicated setup. Its versatile RCA and optical outputs plus dedicated headphone monitoring make it ideal for digitizing vinyl, recording instruments, or enhancing laptop audio with studio-grade fidelity—all at an unbeatable value.

## Description

From the manufacturer Behringer UCA202 Ultra-Low Latency 2 In/2 Out USB/Audio Interface with Digital Output Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback High-resolution 48 kHz converters for high-end audio quality Works with your PC or Mac* computer?no setup or drivers required. Free audio recording and editing software downloadable at Behringer Stereo Headphone output with dedicated Level control lets you monitor both input and output Additional S/PDIF optical output for direct digital conversion Powered via USB no external power supply needed U-CONTROL UCA202 The Behringer UCA202 allows you to connect instruments and other audio devices to your computer, effectively merging the analog and digital worlds. It accomplishes this by providing two analog mono Inputs and Outputs (for monitoring), USB connectivity and an additional S/PDIF optical output. The stereo headphone output features a dedicated level control and lets you listen to both the input and output. We even give you all the software you’ll need to get started! Imagine the Possibilities… When used as a professional interface between a mixing console and your computer, myriad options become available. Some of these might include connecting the UCA202 RCA Outputs to the Tape Input jacks of your mixer or to your powered monitors. Connecting to the mixer input channels allows you to use your mixer’s Aux Send feature to build an extremely versatile monitor mix for recording sessions. Tons of Free Software To truly get the most out of your UCA202, you will need recording and editing software. So, we made it easy, providing a single place for you to download lots of free software including: Audacity is an easy-to-use audio editor and recorder for Windows, Mac OS X and Linux operating systems. With Audacity you can: Record live audio Convert tapes and records into digital recordings or CDs Edit Ogg Vorbis, MP3, WAV or AIFF sound files Cut, copy, splice or mix sounds together Change the speed or pitch of a recording And much more… Value For a mere fraction of the cost of an USB audio interface from other brands, you can have state-of- the-art digital conversion, world-class recording and editing software and hassle-free connectivity between your PC or Mac Computer and any piece of audio equipment. Bridging the gap between your music and the rest of the world—the Behringer U-CONTROL UCA202. Check one out at your local dealer today!

Review: The Behringer UCA202 U Control simply gives great performance for the money - PS - 28 April 2014. In some of the reviews that I have read some of the correspondents have reported difficulty getting the Behringer UCA202 U Control to record in stereo and some are having difficulty adjusting the volume levels. Sometimes you have to adjust the sound settings in the control panel on a laptop or PC. You have to tell your computer to record in two channels instead of one for stereo. Go into the sounds window and select " Microphone 2 USB codec" with the device plugged in to a USB connexion. Select recording and advanced and set the device to 2 channel CD quality. I use Audacity software. You need to check that Audacity is recording in two channels for stereo recording rather than one channel for mono. You go into "Preferences" which is in the "Edit" menu and then set the USB recording device to stereo in the recording box. If you are having problems setting up the recording volumes then Audacity can be adjusted with the microphone slider which is on the tool bar. This works fine for me with a line level output from my amplifier - I do not use the phono pre-amp from my turntable kit when I record an LP or single. If this fails (or where you do not have a line output from your amp) you could try the headphone output which is usually located on the front of the amplifier. If you turn the amplifier volume control right down then it will attenuate the output level. Using a combination of the Audacity microphone slider and the headphone output you should be able to adjust the volume of the recording level to make sure the recording is loud enough but does not distort. In the view menu you can set Audacity to "show" clipping" . This will display a vertical red line on sections of the recording where the volume levels are too high and therefore the music will sound distorted - this is a very useful tool. I have never used a MAC PC but I would think that it has similar methods of controlling whether you record in stereo or not by using a sound control feature. I would guess that other types of recording software similar to Audacity need to be set up to record and playback in stereo or mono according to your choice. If the above does not work then you are faced with the possibility that some of your equipment is not working correctly from a physical point of view. You could check the connections have been fitted correctly or use alternative equipment to find out what has gone wrong. When set up correctly this product works really well; I am sure you will not be disappointed. Main text: I bought this brilliant device to "digitise" old LPs, which I buy in second hand shops, and archive old audio cassettes before they self destruct. I read all the reviews and I agree with most of them and decided to buy it even though it is of flimsy construction. It is not going to be used very often and I am careful with equipment so it should last years. It literally took me ten minutes to plug it into the line outputs of my amplifier and connect the device to a laptop, then cue up a Beatles 45 and digitise it with Audacity. Audacity is brilliant in my opinion and there is plenty of help text and Wikipedia information to get you going. I deleted the the Beatles 45 file as I just used it to test the recording levels. Next up was a Shadows LP "Rock on with the Shadows in Mono". Yes, you can buy this on CD but sometimes I like to play an ageing LP for old time's sake. I was pleasantly surprised with the results. I did not use Audacity to remove any surface noise from the record or clicks or pops; Hank's twanging drowns them out anyway. I played the digital recording back through the same amplifier and neither my wife nor I could hear any difference from the original: it sounded the same warts and all. At the end of the "first side" I felt compelled to jump up and turn the laptop er, record over. What more can I say about the sound quality? This was great stuff - the Shadows back in their 1960's glory, and you cannot damage the needle when you jive. One of the reviewers has complained about the the inability of the analogue converter to sample at 24 bit 96 KHz (24/96) as it is limited to 16 bit 48 KHz. This might affect you if you are mastering music and you want to keep the noise floor down when mixing lots of "takes". So, I take the point. For me, digitising old recordings at 16/44.1 or at red book CD standard is good enough. I fail to see how using a 24/96 sampling rate could improve the sound quality as I am only doing one "take". If you are only going to use this converter to digitise your records you can save yourself money and some disk space by buying this device. I have got plenty of external DACs, so I do not need to use this device for playback from a laptop or PC but I tested it just the same. The Toslink optical output works really well and so do the line outputs. The headphone amplifier is not so good but it is sufficient for my purposes. If you are on the road this device will probably perform better than your laptop's sound card or headphone output. The Behringer does not perform as well as the rinky dink DAC that I have got in my main HI-FI and I could not expect it to. But, it performs well compared to my other portable DACs. There is no Toslink input facility. Pros :- You can use a laptop for line output sources. You no longer have to use the line inputs of a desktop PC. You can connect it to a USB port on the front rather than fiddle about with connecting line outputs to the input connexions on the back of the PC. This is especially useful if your kit is under a desk. You can take your laptop to your HI-FI equipment rather than the other way round. There is no need to unplug your turntable or cassette player etc. and then plug it all back in again. It is small, very portable and very versatile - an ADC and DAC in one box! Cons: None really unless you are going to subject the device to hard and continuous use. In conclusion: Five stars for sonic performance and overall convenience; it is simply brilliant . But, it gets only three stars for build quality. The USB deck can now be given away.
Review: Excellent external sound card for laptops - I bought this to act as an external sound card/digital-to-analogue-converter (DAC) to improve the sound output from a laptop. I have found it to be absolutely excellent and remarkable value for money! Without this device sound output from laptops tends to be very flat with no dynamic range (e.g. an audible difference between quiet and loud sounds). Music lacks depth and feeling. However, as soon as you plug in this device the sound output from the computer is transformed: it goes from being 2D to 3D; from car stereo to hi-fi: the difference in quality is remarkable! The device is about the size of a cassette, and has both RCA outputs (to connect to a hi-fi) and a headphone output. You simply plug it into the USB port on you computer... plug some output cables into the device.... and it just works! There is no annoying software to install, and it works on PCs and Macs (I use both) Sometimes you may need to go into control panel/audio devices and select the 'USB Audio Codec' to activate it, but it really is straightforward. (The device also has audio inputs for recording instruments, but I haven't used it in that function so can't comment on performance.) For the price it's performance is fantastic. I even gave one to my boss as a present and he absolutely loves it too! Compared to more expensive devices I expect a 90/10 rule applies - this device gives you 90% of the performance for 10% of the price. If you listen to music through your laptop/computer through headphones or a hi-fi and value good sound quality, I highly recommend this device! Advantages: - Excellent performance for the price - Transforms sound quality from laptops - Small size - Easy to use - No annoying software - Works on Macs and PCs Disadvantages: - Low price won't impress hi-fi snob friends

## Features

- Ultra-flexible audio interface connects your instruments, mixer etc with your computer for recording and playback
- High-resolution 48 khz converters for high-end audio quality
- Works with your pc or mac–no setup or drivers required
- Stereo headphone output with dedicated level control lets you monitor both input and output
- Powered via usb bus–no external power supply needed

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B000KW2YEI |
| Audio Input | RCA |
| Best Sellers Rank | 311 in Musical Instruments & DJ ( See Top 100 in Musical Instruments & DJ ) 3 in Digital Converters 51 in MIDI Controller |
| Brand | Behringer |
| Brand Name | Behringer |
| Compatible Devices | Devices with USB port |
| Compatible devices | Devices with USB port |
| Connectivity Technology | USB |
| Connectivity technology | USB |
| Customer Reviews | 4.5 out of 5 stars 3,858 Reviews |
| Frequency Response | 48 KHz |
| Frequency response | 48 KHz |
| Global Trade Identification Number | 00689076269360, 04033653030465 |
| Included Components | Camera body |
| Item Dimensions D x W x H | 18.8D x 14.5W x 3.8H centimetres |
| Item Type Name | Interface |
| Item Weight | 0.22 Pounds |
| Manufacturer | Behringer |
| Maximum Sample Rate | 48 KHz |
| Number of Channels | 2 |
| Number of channels | 2 |
| Operating System | Windows、MacOS |
| Product Warranty | 3 year manufacturer. |
| Supported Software | Windows, Mac OS X and Linux |
| Supported software | Windows, Mac OS X and Linux |
| UPC | 689076269360 689076361262 616268701988 723856175158 758399116054 989898856459 |

## Product Details

- **Brand:** Behringer
- **Compatible devices:** Devices with USB port
- **Connectivity technology:** USB
- **Number of channels:** 2
- **Supported software:** Windows, Mac OS X and Linux

## Images

![UCA202 U-Control Ultra low-latency 2 In/2 Out USB/Audio Interface - Image 1](https://m.media-amazon.com/images/I/51MoUua7hQL.jpg)

## Questions & Answers

**Q: Is it really 1 - 2 months dispatch? If so, why even bother? <_<**
A: I got mine in about a week.

**Q: How many channels/tracks will this record simultaneously in a DAW, please?**
A: You can record eight tracks simultaneously with this. You can buy another behringer pre-amp and connect via TOSLINK to boost it up to 16.

**Q: Can 1/4 inch jack leads fit into this product? Or is it not designed for recording electric guitars/basses?**
A: This Q&A is not for the UMC1820. For info, the UMC1820 has 8 combination XLR/TRS inputs.

**Q: Does this work on macos high sierra?**
A: Yes.  Any version of mac-os from 10.6 (snow leopard) is supported.  I have one of these, don't regret it for a minute.

## Customer Reviews

### ⭐⭐⭐⭐⭐ The Behringer UCA202 U Control simply gives great performance for the money
*by G***S on 8 April 2014*

PS - 28 April 2014. In some of the reviews that I have read some of the correspondents have reported difficulty getting the Behringer UCA202 U Control to record in stereo and some are having difficulty adjusting the volume levels. Sometimes you have to adjust the sound settings in the control panel on a laptop or PC. You have to tell your computer to record in two channels instead of one for stereo. Go into the sounds window and select " Microphone 2 USB codec" with the device plugged in to a USB connexion. Select recording and advanced and set the device to 2 channel CD quality. I use Audacity software. You need to check that Audacity is recording in two channels for stereo recording rather than one channel for mono. You go into "Preferences" which is in the "Edit" menu and then set the USB recording device to stereo in the recording box. If you are having problems setting up the recording volumes then Audacity can be adjusted with the microphone slider which is on the tool bar. This works fine for me with a line level output from my amplifier - I do not use the phono pre-amp from my turntable kit when I record an LP or single. If this fails (or where you do not have a line output from your amp) you could try the headphone output which is usually located on the front of the amplifier. If you turn the amplifier volume control right down then it will attenuate the output level. Using a combination of the Audacity microphone slider and the headphone output you should be able to adjust the volume of the recording level to make sure the recording is loud enough but does not distort. In the view menu you can set Audacity to "show" clipping" . This will display a vertical red line on sections of the recording where the volume levels are too high and therefore the music will sound distorted - this is a very useful tool. I have never used a MAC PC but I would think that it has similar methods of controlling whether you record in stereo or not by using a sound control feature. I would guess that other types of recording software similar to Audacity need to be set up to record and playback in stereo or mono according to your choice. If the above does not work then you are faced with the possibility that some of your equipment is not working correctly from a physical point of view. You could check the connections have been fitted correctly or use alternative equipment to find out what has gone wrong. When set up correctly this product works really well; I am sure you will not be disappointed. Main text: I bought this brilliant device to "digitise" old LPs, which I buy in second hand shops, and archive old audio cassettes before they self destruct. I read all the reviews and I agree with most of them and decided to buy it even though it is of flimsy construction. It is not going to be used very often and I am careful with equipment so it should last years. It literally took me ten minutes to plug it into the line outputs of my amplifier and connect the device to a laptop, then cue up a Beatles 45 and digitise it with Audacity. Audacity is brilliant in my opinion and there is plenty of help text and Wikipedia information to get you going. I deleted the the Beatles 45 file as I just used it to test the recording levels. Next up was a Shadows LP "Rock on with the Shadows in Mono". Yes, you can buy this on CD but sometimes I like to play an ageing LP for old time's sake. I was pleasantly surprised with the results. I did not use Audacity to remove any surface noise from the record or clicks or pops; Hank's twanging drowns them out anyway. I played the digital recording back through the same amplifier and neither my wife nor I could hear any difference from the original: it sounded the same warts and all. At the end of the "first side" I felt compelled to jump up and turn the laptop er, record over. What more can I say about the sound quality? This was great stuff - the Shadows back in their 1960's glory, and you cannot damage the needle when you jive. One of the reviewers has complained about the the inability of the analogue converter to sample at 24 bit 96 KHz (24/96) as it is limited to 16 bit 48 KHz. This might affect you if you are mastering music and you want to keep the noise floor down when mixing lots of "takes". So, I take the point. For me, digitising old recordings at 16/44.1 or at red book CD standard is good enough. I fail to see how using a 24/96 sampling rate could improve the sound quality as I am only doing one "take". If you are only going to use this converter to digitise your records you can save yourself money and some disk space by buying this device. I have got plenty of external DACs, so I do not need to use this device for playback from a laptop or PC but I tested it just the same. The Toslink optical output works really well and so do the line outputs. The headphone amplifier is not so good but it is sufficient for my purposes. If you are on the road this device will probably perform better than your laptop's sound card or headphone output. The Behringer does not perform as well as the rinky dink DAC that I have got in my main HI-FI and I could not expect it to. But, it performs well compared to my other portable DACs. There is no Toslink input facility. Pros :- You can use a laptop for line output sources. You no longer have to use the line inputs of a desktop PC. You can connect it to a USB port on the front rather than fiddle about with connecting line outputs to the input connexions on the back of the PC. This is especially useful if your kit is under a desk. You can take your laptop to your HI-FI equipment rather than the other way round. There is no need to unplug your turntable or cassette player etc. and then plug it all back in again. It is small, very portable and very versatile - an ADC and DAC in one box! Cons: None really unless you are going to subject the device to hard and continuous use. In conclusion: Five stars for sonic performance and overall convenience; it is simply brilliant . But, it gets only three stars for build quality. The USB deck can now be given away.

### ⭐⭐⭐⭐⭐ Excellent external sound card for laptops
*by J***G on 25 January 2012*

I bought this to act as an external sound card/digital-to-analogue-converter (DAC) to improve the sound output from a laptop. I have found it to be absolutely excellent and remarkable value for money! Without this device sound output from laptops tends to be very flat with no dynamic range (e.g. an audible difference between quiet and loud sounds). Music lacks depth and feeling. However, as soon as you plug in this device the sound output from the computer is transformed: it goes from being 2D to 3D; from car stereo to hi-fi: the difference in quality is remarkable! The device is about the size of a cassette, and has both RCA outputs (to connect to a hi-fi) and a headphone output. You simply plug it into the USB port on you computer... plug some output cables into the device.... and it just works! There is no annoying software to install, and it works on PCs and Macs (I use both) Sometimes you may need to go into control panel/audio devices and select the 'USB Audio Codec' to activate it, but it really is straightforward. (The device also has audio inputs for recording instruments, but I haven't used it in that function so can't comment on performance.) For the price it's performance is fantastic. I even gave one to my boss as a present and he absolutely loves it too! Compared to more expensive devices I expect a 90/10 rule applies - this device gives you 90% of the performance for 10% of the price. If you listen to music through your laptop/computer through headphones or a hi-fi and value good sound quality, I highly recommend this device! Advantages: - Excellent performance for the price - Transforms sound quality from laptops - Small size - Easy to use - No annoying software - Works on Macs and PCs Disadvantages: - Low price won't impress hi-fi snob friends

### ⭐⭐⭐⭐ Good for the money but not quite perfect.
*by M***O on 30 October 2015*

I have come back to PC music production after a while away and realised that Realtek chipsets on most motherboards, although better than they used to be,can't quite cut it, particularly in the latency department. I was loathed to spend £50+ on a proper pro sound card while I was tentatively returning to this hobby so this Behringer UCA202 seemed perfect. It arrived on time and well packed and straight out of the box its smaller than I expected, about the size of a cigarette packet. I plugged mine in a proper USB port (not a hub) and immediately installed and worked (Windows 8.1 and 10), no issues. A little light on the top tells you its on and you get the glow from the optical out too. I fed my 10 channel WharfdalePro mixer into it and connected it to the line in on my Logitech Z speakers. Not exactly a pro setup but entry level music making kit. I tested it with Cakewalk and Ableton and there was a noticeable improvement in latency when feeding stuff in and through the PC i.e. guitar and mic effects etc. Not 0 latency, in fact on my set-up probably still 10-20ms, I used the ASIO4ALL drivers which have mixed success with most people but they reported something like 11ms via Cakewalk. Previously I could achieve similar latency with my Realtek card but it would become unstable and break up and need resetting every 20mins. This didn't happen with the Behringer, it works flawlessly for hours on end and basically it does what I bought it for. Furthermore there's a little switch for monitoring directly so if you just want to echo the in to the out with 0 latency, you can do that but clearly it won't be going though any effects etc on the PC. I also played music from Google Play though the unit and I the is a noticeable improvement in clarity, so much so that I can actually hear stuff in the songs that I hadn't heard before and that is usually the mark of an great audio equipment. I listened through my Logitech speakers and some mid range over ear Sony headphones and in both cases the music was balanced and defined. If you're buying this only for music playback and don't care about music production, as most people will, its worth it for that alone. OK, so why the four stars...Well, I used this on headphones and it was superb, when I connected the line out to the Z speakers there was a noticeable whine, digital interference whine that alters when you move the mouse pointer or change stuff on the screen. That is very far from pro audio or high quality, it doesn't happen on my built in Realtek where I would expect more interference. Now this COULD be the crap cable I used or the positioning, I haven't tested it on ANYTHING else yet. I plan to test it on my proper AV unit in the lounge so I will report back if I notice any difference.

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*Product available on Desertcart Poland*
*Store origin: PL*
*Last updated: 2026-04-23*