---
product_id: 29452810
title: "An Invitation"
price: "205 zł"
currency: PLN
in_stock: true
reviews_count: 8
url: https://www.desertcart.pl/products/29452810-an-invitation
store_origin: PL
region: Poland
---

# Material: Premium cardstock Event Date: 2023-12-01 Size: 5x7 inches An Invitation

**Price:** 205 zł
**Availability:** ✅ In Stock

## Summary

> 🎉 Your Event Deserves a Grand Entrance!

## Quick Answers

- **What is this?** An Invitation
- **How much does it cost?** 205 zł with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.pl](https://www.desertcart.pl/products/29452810-an-invitation)

## Best For

- Customers looking for quality international products

## Why This Product

- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Fast Turnaround:** Get your invitations printed and shipped in record time.
- • **Elevate Your Events:** Transform ordinary gatherings into unforgettable experiences.
- • **Customizable Designs:** Tailor your invitation to reflect your unique style.
- • **Eco-Friendly Options:** Choose sustainable materials for a greener celebration.
- • **Perfect for Any Occasion:** From weddings to birthdays, make every event special.

## Overview

An Invitation is a premium-quality, customizable invitation card designed to elevate any event. Measuring 5x7 inches and printed on eco-friendly cardstock, it offers a fast turnaround for those last-minute plans. Perfect for weddings, birthdays, and more, this invitation ensures your special occasion stands out.

## Description

Inara George’s “An Invitation,” arranged by Van Dyke Parks, is lush, elegant pop—playful lyrics, sweeping orchestrations, and sophisticated songwriting shimmer.

Review: One of the best of 2008! - I saw Inara George and Van Dyke Parks only two months ago in The Hague, Netherlands, performing with the Mondriaan extended. It was a great concert and besides songs of Van Dyke himself (jump f.e.), Randy Newman and Lowell George they did 'An invitation'. Allthough I didn't know Inara George and only later bought 'An invitation' I was impressed by her performance and her voice. Like 'all rise' a cd I only had a week before the concert, the album grows and grows. It doesn't fit in nowadays popmusic, but who cares? A song like Idaho is so beautifull. So I recommand this album (and 'all rise') to everyone and make a deep bow to miss George and mr Van Dyke Parks.
Review: Interest and Intrique over emotional involvement... - and what is wrong with that? Absolutely nothing. So, here is what you get: -melodies that fall several quavers and quirks short of chance. I don't mean to suggest any similarity to the dizzying interval exchanges of John Cage, but often, these melodies seem to go some place other that what you might anticipate. Musicians--think of the circle of fifths in the hands of a mischievous demon who loves melody, but can't tolerate the quotidian world of expectations. -harmonies that are rich in early 20th century influences like rag and stride--think of the tri-tones you might expect from Scott Joplin and Jelly Roll Morton rendered through the sweep of orchestration that leads as often as it follows. Van Dyke Parks likes the same "Americana" movement of harmony employed by Randy Newman in much of his film music. However, Parks arrangements and orchestrations whip around like the American flag on a windy July 4th--threatening, on occasion, to shut down the picnic, or a roller-coaster that dips and rolls often enough to delight any kid. These harmonies are like agitating train cars locked to a locomotive on serious speed. Frankly--I love the feeling that the train could leap the tracks at any moment--though I can imagine that others might experience this as vertigo. -lyrics that are more head than heart--and wonderfully so. These lyrics are not especially interested in rhyme, but don't ignore the aural need for a satisfying couplet. More often than not, the lyrics are simple and expressive of desire--but not always of the romantic kind. Here and there, you will come across an elusive and mystifying idea--and it is difficult to know if the lyric has run into a corner and cannot negotiate its way out, or ifthat corner actually is the way out (if you find this implausible, then you have just gotten a sense of George lyrics) I am a sucker for Van Dyke Parks and consider "Orange Crate Art" a landmark cd, worthy of wide praise and affectionate allegiance (much like the Beatles Sergeant Pepper album). Aside from his palette of compositional colors, Parks is a first-rate arranger and orchestrator, but--he likes to bring the orchestra up close--sometimes, to the point of overwhelming the arc of melody. He doesn't do that in "Orange Crate Art" because that arc is always controlled by Brian Wilson's rich and dominant harmonies. However, Inara George, when confronted with this Parks tendency, can be reduced, just occasionally, to a footnote. Don't allow this cd's near-aleatory presentation of melody and Godzilla-like proportion of orchestration to isolate you from the satisfactions of the George/Parks collaboration. They have fashioned an original contribution to American pop--dig into it, and you will find a pleasure chest full of riches.

## Images

![An Invitation - Image 1](https://m.media-amazon.com/images/I/513O4wdDh2L.jpg)
![An Invitation - Image 2](https://m.media-amazon.com/images/I/61VbCCbTTPL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ One of the best of 2008!
*by H***C on January 7, 2009*

I saw Inara George and Van Dyke Parks only two months ago in The Hague, Netherlands, performing with the Mondriaan extended. It was a great concert and besides songs of Van Dyke himself (jump f.e.), Randy Newman and Lowell George they did 'An invitation'. Allthough I didn't know Inara George and only later bought 'An invitation' I was impressed by her performance and her voice. Like 'all rise' a cd I only had a week before the concert, the album grows and grows. It doesn't fit in nowadays popmusic, but who cares? A song like Idaho is so beautifull. So I recommand this album (and 'all rise') to everyone and make a deep bow to miss George and mr Van Dyke Parks.

### ⭐⭐⭐⭐ Interest and Intrique over emotional involvement...
*by C***R on May 11, 2014*

and what is wrong with that? Absolutely nothing. So, here is what you get: -melodies that fall several quavers and quirks short of chance. I don't mean to suggest any similarity to the dizzying interval exchanges of John Cage, but often, these melodies seem to go some place other that what you might anticipate. Musicians--think of the circle of fifths in the hands of a mischievous demon who loves melody, but can't tolerate the quotidian world of expectations. -harmonies that are rich in early 20th century influences like rag and stride--think of the tri-tones you might expect from Scott Joplin and Jelly Roll Morton rendered through the sweep of orchestration that leads as often as it follows. Van Dyke Parks likes the same "Americana" movement of harmony employed by Randy Newman in much of his film music. However, Parks arrangements and orchestrations whip around like the American flag on a windy July 4th--threatening, on occasion, to shut down the picnic, or a roller-coaster that dips and rolls often enough to delight any kid. These harmonies are like agitating train cars locked to a locomotive on serious speed. Frankly--I love the feeling that the train could leap the tracks at any moment--though I can imagine that others might experience this as vertigo. -lyrics that are more head than heart--and wonderfully so. These lyrics are not especially interested in rhyme, but don't ignore the aural need for a satisfying couplet. More often than not, the lyrics are simple and expressive of desire--but not always of the romantic kind. Here and there, you will come across an elusive and mystifying idea--and it is difficult to know if the lyric has run into a corner and cannot negotiate its way out, or ifthat corner actually is the way out (if you find this implausible, then you have just gotten a sense of George lyrics) I am a sucker for Van Dyke Parks and consider "Orange Crate Art" a landmark cd, worthy of wide praise and affectionate allegiance (much like the Beatles Sergeant Pepper album). Aside from his palette of compositional colors, Parks is a first-rate arranger and orchestrator, but--he likes to bring the orchestra up close--sometimes, to the point of overwhelming the arc of melody. He doesn't do that in "Orange Crate Art" because that arc is always controlled by Brian Wilson's rich and dominant harmonies. However, Inara George, when confronted with this Parks tendency, can be reduced, just occasionally, to a footnote. Don't allow this cd's near-aleatory presentation of melody and Godzilla-like proportion of orchestration to isolate you from the satisfactions of the George/Parks collaboration. They have fashioned an original contribution to American pop--dig into it, and you will find a pleasure chest full of riches.

### ⭐⭐⭐ OK, but lacking
*by P***S on October 5, 2008*

I have to admit that I came into this album with high expectations. The idea of the great Van Dyke Parks with a female songwriter/vocalist immediately reminded me of Joanna Newsom's incredible Ys. In some ways this albums is a sort of Ys II, but it falls short in other respects. These songs that the catchy melodies, emotional swells and long narrative arcs that make Ys so engaging. Instead, this collection just seems "pretty" - lacking the substance of Newsom's epics. Overall, it just doesn't have the energy or vision that I was hoping for.

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---

*Product available on Desertcart Poland*
*Store origin: PL*
*Last updated: 2026-05-08*