---
product_id: 17289887
title: "Yamaha SLG200N NT Nylon String Silent Guitar with Hard Gig Bag, Natural"
brand: "yamaha"
price: "7431 zł"
currency: PLN
in_stock: true
reviews_count: 7
category: "Yamaha"
url: https://www.desertcart.pl/products/17289887-yamaha-slg200n-nt-nylon-string-silent-guitar-with-hard-gig
store_origin: PL
region: Poland
---

# SRT-Powered pickup for studio-quality sound 6 Nylon Strings for warm tone Near-silent practice mode Yamaha SLG200N NT Nylon String Silent Guitar with Hard Gig Bag, Natural

**Brand:** yamaha
**Price:** 7431 zł
**Availability:** ✅ In Stock

## Summary

> 🎶 Play loud in silence, perform anywhere with Yamaha’s sleek silent guitar!

## Quick Answers

- **What is this?** Yamaha SLG200N NT Nylon String Silent Guitar with Hard Gig Bag, Natural by yamaha
- **How much does it cost?** 7431 zł with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.pl](https://www.desertcart.pl/products/17289887-yamaha-slg200n-nt-nylon-string-silent-guitar-with-hard-gig)

## Best For

- yamaha enthusiasts

## Why This Product

- Trusted yamaha brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Studio-Quality Tone:** Exclusive SRT-Powered system recreates authentic acoustic resonance through headphones or line-out.
- • **Premium Craftsmanship:** Mahogany body & neck with nylon strings deliver classic warmth in a sleek, modern design.
- • **Versatile Connectivity:** Line-in for jamming, line-out for performance, plus built-in chromatic tuner keeps you pitch-perfect.
- • **Silent Practice, Anytime:** Near-silent design lets you hone skills without disturbing your space or neighbors.
- • **Travel-Ready Portability:** Detachable slim body fits overhead bins & gig bags for on-the-go pros.

## Overview

The Yamaha SLG200N NT is a professional-grade silent nylon-string guitar featuring a mahogany body and neck, designed for travel, practice, and performance. Its near-silent acoustic design combined with Yamaha’s exclusive SRT-Powered pickup system delivers authentic, studio-quality sound through headphones or amplification. Lightweight and portable with detachable parts and a hard gig bag, it offers versatile connectivity options including line-in and line-out, plus a built-in chromatic tuner, making it ideal for the modern musician seeking premium tone and convenience without compromise.

## Description

Nylon String Silent Guitar Natural. "Inspired by traditional classical guitar design, the SLG200N features a slim neck, thin body, and low action that lets players adopt a more aggressive style, allowing even those players who wouldn't normally choose to perform with a classical guitar to play it with ease. Sound by SRT Powered SRT Powered is a new system designed to recreate the body resonance of an acoustic guitar in a bodiless guitar. Yamaha developed SRT Powered, collaborating with recording artists to create a system tailored to the unique properties of the SLG body and modelled after the tones of a high-end Yamaha acoustic guitar captured using a carefully selected microphone in a professional recording studio environment. By actually reproducing the sound of an acoustic guitara"right down to its natural sustain and decaya"Yamaha lets guitarists experience the genuine body resonance, body tone and ambience of an acoustic guitar. SRT Powered sound can even be mixed with the sound from the instrument's piezo pickups, allowing guitarists to be even more flexible in their creative endeavors. Because the SLG can virtually reproduce the sound of a guitar recorded with a microphone, players are free from complicated procedures involved in mic-ing up a guitar when recording at home or in other settings. Portability The detachable top section of SLGaTMs frame means that practicality and portability are way beyond that of a conventional guitar. The luxury gig bag provided can be carried with ease and fits into an aircraft overhead compartment with room to spare. Playability The slim body of the SLG gives these instruments superb playability, and allows players to switch to playing an electric guitar without any discomfort should the need arise. Design With the SLG, Yamaha set out to bring a modern feel to the classic contours of a conventional guitar. The distinctive design that emerged is the result of a collaborative effort between the project team and the Yamaha D...

Review: THIS REVIEW REFERS TO THE SLG200NW MODEL. - The instrument was ordered from desertcart and arrived in its soft case in a Yamaha cardboard box which was packed in an desertcart box with what appeared to be insufficient packing materials. Happily, all packaging was in good condition when it arrived, but my experience with UPS suggests that I was lucky this time. I have had the instrument for about two weeks. I purchased the slg200nw without having played any model of Yamaha silent guitar. Buying a guitar without playing it is usually a bad idea, but I couldn't find an slg200nw in my area to play and I can imagine that there are some readers of this review who find themselves in the same position. I did do some research on line and viewed a number of videos featuring the instrument before I made my purchase. You can see by the rating I gave it that it pleased me a great deal, so I'll outline the concerns I had before I received it and how the guitar resolved them. MY CONCERNS BEFORE BUYING, AND HOW THE SLG200NW RESOLVED THEM INTONATION AND SETUP I was concerned that the intonation might be unsatisfactory even though I heard that these guitars have a reputation for accurate intonation. The intonation on the guitar I received is five star. The slg200nw arrived set up with 12th fret string heights of 3.75mm for the sixth and 3.25 for the first (as measured by a Baroque string action ruler), very close to the setup on my other classical guitars. There is an adjustable truss rod should you prefer a different setup. The strings that came on the slg200nw were exceptionally low tension, which you may or may not prefer. BUILD QUALITY I was concerned that the build quality, fit and finish of the guitar would disappoint me. It certainly didn't. I had a big smile on my face after a few moments examining it. NECK I was concerned that the neck of the guitar, which was presented by Yamaha as thinner than conventional classical guitars, might be sufficiently different from my other classical guitars to present a significantly different playing experience. It was not and did not. In fact, I'm finding no important subjective difference. CONFIGURATION, BALANCE, WEIGHT I was concerned that the playing position would be much less than ideal given that the body of the slg200nw is shallower than that of a traditional classical guitar. I also worried that the particular weight and balance of the slg200nw would be a distraction. These concerns turned out to be non-issues, at least in my case. When played the slg200nw does not feel thin like a Fender Strat feels thin. Putting one of my other classical guitars next to the slg200nw on a bed with the heads hung over the side and flattening the bodies of the guitars against the bed, the height of the strings above the bed (where the strings are touched by the right hand of a right handed player) was about four and one half inches for the conventional classical guitar and two and three quarters inches for the slg200nw. The only issue this one and three quarters inches of depth has presented is that I find myself wondering whether or not the slg200nw isn't actually more comfortable to play than my other classical guitars. SOUND I was concerned that I would be disappointed with the sound of the guitar. First let me say that this is an electric instrument and it isn't going to sound like a Ramirez 1A. But the way it sounds is very much dependent on what you use to listen to it, and if you use high quality audio equipment it sounds very good indeed. It also comes with the added bonus of interesting variability controlled by the player. I am using Audio-Technica ATH M50 earphones with satisfying results, and I suspect that the way players respond to this guitar has everything to do with the quality of the audio equipment they use with it. If you have the opportunity to play an slg200nw make certain to bring a good set of earphones or borrow a set for the occasion. There is no other way you will be able to hear what the slg200nw can sound like. LOGO I must say that I'm not a fan of logos on the headstocks of classical guitars, and I initially solved the problem by covering the logo with my favorite tuner until discovering that the tuner built in to the slg200nw was more accurate. As happy as I am with the instrument and the price I paid for it I should be more tolerant of the logo. TUNERS The tuners on the slg200nw are excellent. Part of my impression of the tuners may have to do with the low-tension strings that came with the instrument, but the tuners certainly feel smooth. SOME SUBJECTIVE IMPRESSIONS I find it interesting that I'm paying more attention to dynamics now that I can play at a volume that won't disturb others. And there is something about the sustain, or perhaps the earphone isolation, that has me paying more attention to note values. Both of these at least potentially lead to more accurate and expressive playing. If you are unable to find an slg200nw to play be sure to do some research and check out the videos that are available. If you buy one I hope you'll be as satisfied with it as I have been.
Review: Amazing Guitar: Good For Travel, Practice AND Performance - I got the Yamaha SLG200N (nylon string) Silent Guitar primarily as a travel guitar after reading and watching several reviews of the other options out there. I only considered those travel guitars that have a full 650-654 mm scale length. I was initially put off by the slightly larger size of the SLG200N guitar relative to some really compact travel guitars but the reviews both from customers and from professional reviewers (e.g. Classical Guitar Magazine [...]) convinced me that the larger size was worth the risk considering the poor reviews of my other options and the excellent reviews of the SLG. I am very glad I went with this guitar. The feel is great and the string dimensions almost exactly match my primary nylon guitar which is a custom Juan Miguel Carmona flamenco/classical (mixta) guitar I got in Granada, Spain. Scale length is slightly shorter in the SLG (650 mm) compared to the mixta (654 mm) and the nut width of the SLG (50 mm) is off by only a mm compared to my mixta (51 mm). I know that a full traditional classical has a nut width typically around 52-53 mm but for me, the 1 mm difference is really not an issue. Frankly, it forces me to really think about proper left hand finger placement which is good for my practicing anyway. I would think a full classical player would feel the same. OK. On to the sound. The sound is amazing. However, the sound of the stock guitar as shipped was quite poor. It was WAY too strong on the bass end. I had to turn the bass knob of the guitar down to its minimum setting and max out the treble and that was barely workable. I was going to return it (thinking the piezo pickup was messed up) when I called up GearTree and they were very helpful. The key is to get the saddle piece to have uniform contact with the piezo right underneath. Also, getting high tension strings to add brightness to the sound and to get the treble strings to have a good vibration signal to transfer to the piezo completely changed the sound. Bottom line: replace the strings when you first get the guitar and make sure the piezo and the saddle make uniform contact. The real benefit comes when you are playing and you can adjust the pure piezo signal with the Yamaha advanced classical guitar modeling signal for a tone surprisingly nice for a solid body “travel” guitar. For practicing (using the headphone output), you can also feed in an input from your iPhone/MP3 player via the AUX jack. For performance (yes, performance), you can plug into an amp via the “Strat-like” jack and you also have a wickedly cool looking guitar. Add in an on-board chromatic tuner and you have one amazing and surprisingly versatile guitar for practice AND (amazingly enough) for performance as well. Note: a proper recital still demands your best classical guitar but for a gig at a club or wine bar, etc., this could work out quite nicely. And finally, as I mentioned above, BIG callout to the folks at GearTree - absolutely fantastic customer service. They emailed me directly about my shipment (in addition to the auto emails) AND added in a guitar stand and headphones even though the package I bought didn’t include them. They did that since other competitor desertcart sellers were making these fancy bundles. I just had to ask. Wow… Bottom line: 5 stars (with the right strings) and get the Tobacco Sunburst version - it's beautiful.

## Features

- Nylon Strings, Natural Finish. Body and neck material is mahogany
- The SLG is the perfect instrument for practice, travel or stage use – any time an acoustic guitar just won’t do.
- Near-silent performance makes discrete practice simple
- Yamaha’s exclusive SRT-Powered pickup system gives incredibly natural acoustic tone through headphones or line-out
- Studio-quality on-board effects enhance your playing to perfectio and line-in functionality makes jamming easy

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B0130VZVNQ |
| Back Material | Maple |
| Batteries | 2 AA batteries required. |
| Best Sellers Rank | #25,135 in Musical Instruments ( See Top 100 in Musical Instruments ) #32 in Classical & Nylon-String Guitars #144 in Acoustic Guitars |
| Body Material | Mahogany |
| Color Name | Natural |
| Customer Reviews | 4.2 4.2 out of 5 stars (597) |
| Date First Available | July 30, 2015 |
| Fretboard Material | Mahogany Wood |
| Guitar Bridge System | Rosewood |
| Guitar Pickup Configuration | Piezo |
| Is Discontinued By Manufacturer | No |
| Item Weight | 9.04 pounds |
| Item model number | SLG200N NT |
| Neck Material Type | Mahogany |
| Number of Strings | 6 |
| Product Dimensions | 38.19 x 14 x 3.47 inches |
| Scale Length | 26 inches |
| String Material | Nylon |
| Top Material | ***Spruce, Maple, Koa |

## Product Details

- **Back Material Type:** Maple
- **Body Material:** Mahogany
- **Brand:** Yamaha
- **Color:** Natural
- **Fretboard Material Type:** Mahogany Wood
- **Guitar Pickup Configuration:** Piezo
- **Hand Orientation:** Right
- **Neck Material Type:** Mahogany
- **String Material Type:** Nylon
- **Top Material Type:** ***Spruce, Maple, Koa

## Images

![Yamaha SLG200N NT Nylon String Silent Guitar with Hard Gig Bag, Natural - Image 1](https://m.media-amazon.com/images/I/41WJf7EdxGL.jpg)
![Yamaha SLG200N NT Nylon String Silent Guitar with Hard Gig Bag, Natural - Image 2](https://m.media-amazon.com/images/I/519qxN4Cu7L.jpg)
![Yamaha SLG200N NT Nylon String Silent Guitar with Hard Gig Bag, Natural - Image 3](https://m.media-amazon.com/images/I/51FPEkInrPL.jpg)
![Yamaha SLG200N NT Nylon String Silent Guitar with Hard Gig Bag, Natural - Image 4](https://m.media-amazon.com/images/I/51XeyYV4WHL.jpg)
![Yamaha SLG200N NT Nylon String Silent Guitar with Hard Gig Bag, Natural - Image 5](https://m.media-amazon.com/images/I/51yatoPmbsL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ THIS REVIEW REFERS TO THE SLG200NW MODEL.
*by D***W on November 29, 2018*

The instrument was ordered from Amazon and arrived in its soft case in a Yamaha cardboard box which was packed in an Amazon box with what appeared to be insufficient packing materials. Happily, all packaging was in good condition when it arrived, but my experience with UPS suggests that I was lucky this time. I have had the instrument for about two weeks. I purchased the slg200nw without having played any model of Yamaha silent guitar. Buying a guitar without playing it is usually a bad idea, but I couldn't find an slg200nw in my area to play and I can imagine that there are some readers of this review who find themselves in the same position. I did do some research on line and viewed a number of videos featuring the instrument before I made my purchase. You can see by the rating I gave it that it pleased me a great deal, so I'll outline the concerns I had before I received it and how the guitar resolved them. MY CONCERNS BEFORE BUYING, AND HOW THE SLG200NW RESOLVED THEM INTONATION AND SETUP I was concerned that the intonation might be unsatisfactory even though I heard that these guitars have a reputation for accurate intonation. The intonation on the guitar I received is five star. The slg200nw arrived set up with 12th fret string heights of 3.75mm for the sixth and 3.25 for the first (as measured by a Baroque string action ruler), very close to the setup on my other classical guitars. There is an adjustable truss rod should you prefer a different setup. The strings that came on the slg200nw were exceptionally low tension, which you may or may not prefer. BUILD QUALITY I was concerned that the build quality, fit and finish of the guitar would disappoint me. It certainly didn't. I had a big smile on my face after a few moments examining it. NECK I was concerned that the neck of the guitar, which was presented by Yamaha as thinner than conventional classical guitars, might be sufficiently different from my other classical guitars to present a significantly different playing experience. It was not and did not. In fact, I'm finding no important subjective difference. CONFIGURATION, BALANCE, WEIGHT I was concerned that the playing position would be much less than ideal given that the body of the slg200nw is shallower than that of a traditional classical guitar. I also worried that the particular weight and balance of the slg200nw would be a distraction. These concerns turned out to be non-issues, at least in my case. When played the slg200nw does not feel thin like a Fender Strat feels thin. Putting one of my other classical guitars next to the slg200nw on a bed with the heads hung over the side and flattening the bodies of the guitars against the bed, the height of the strings above the bed (where the strings are touched by the right hand of a right handed player) was about four and one half inches for the conventional classical guitar and two and three quarters inches for the slg200nw. The only issue this one and three quarters inches of depth has presented is that I find myself wondering whether or not the slg200nw isn't actually more comfortable to play than my other classical guitars. SOUND I was concerned that I would be disappointed with the sound of the guitar. First let me say that this is an electric instrument and it isn't going to sound like a Ramirez 1A. But the way it sounds is very much dependent on what you use to listen to it, and if you use high quality audio equipment it sounds very good indeed. It also comes with the added bonus of interesting variability controlled by the player. I am using Audio-Technica ATH M50 earphones with satisfying results, and I suspect that the way players respond to this guitar has everything to do with the quality of the audio equipment they use with it. If you have the opportunity to play an slg200nw make certain to bring a good set of earphones or borrow a set for the occasion. There is no other way you will be able to hear what the slg200nw can sound like. LOGO I must say that I'm not a fan of logos on the headstocks of classical guitars, and I initially solved the problem by covering the logo with my favorite tuner until discovering that the tuner built in to the slg200nw was more accurate. As happy as I am with the instrument and the price I paid for it I should be more tolerant of the logo. TUNERS The tuners on the slg200nw are excellent. Part of my impression of the tuners may have to do with the low-tension strings that came with the instrument, but the tuners certainly feel smooth. SOME SUBJECTIVE IMPRESSIONS I find it interesting that I'm paying more attention to dynamics now that I can play at a volume that won't disturb others. And there is something about the sustain, or perhaps the earphone isolation, that has me paying more attention to note values. Both of these at least potentially lead to more accurate and expressive playing. If you are unable to find an slg200nw to play be sure to do some research and check out the videos that are available. If you buy one I hope you'll be as satisfied with it as I have been.

### ⭐⭐⭐⭐⭐ Amazing Guitar: Good For Travel, Practice AND Performance
*by J***S on July 27, 2016*

I got the Yamaha SLG200N (nylon string) Silent Guitar primarily as a travel guitar after reading and watching several reviews of the other options out there. I only considered those travel guitars that have a full 650-654 mm scale length. I was initially put off by the slightly larger size of the SLG200N guitar relative to some really compact travel guitars but the reviews both from customers and from professional reviewers (e.g. Classical Guitar Magazine [...]) convinced me that the larger size was worth the risk considering the poor reviews of my other options and the excellent reviews of the SLG. I am very glad I went with this guitar. The feel is great and the string dimensions almost exactly match my primary nylon guitar which is a custom Juan Miguel Carmona flamenco/classical (mixta) guitar I got in Granada, Spain. Scale length is slightly shorter in the SLG (650 mm) compared to the mixta (654 mm) and the nut width of the SLG (50 mm) is off by only a mm compared to my mixta (51 mm). I know that a full traditional classical has a nut width typically around 52-53 mm but for me, the 1 mm difference is really not an issue. Frankly, it forces me to really think about proper left hand finger placement which is good for my practicing anyway. I would think a full classical player would feel the same. OK. On to the sound. The sound is amazing. However, the sound of the stock guitar as shipped was quite poor. It was WAY too strong on the bass end. I had to turn the bass knob of the guitar down to its minimum setting and max out the treble and that was barely workable. I was going to return it (thinking the piezo pickup was messed up) when I called up GearTree and they were very helpful. The key is to get the saddle piece to have uniform contact with the piezo right underneath. Also, getting high tension strings to add brightness to the sound and to get the treble strings to have a good vibration signal to transfer to the piezo completely changed the sound. Bottom line: replace the strings when you first get the guitar and make sure the piezo and the saddle make uniform contact. The real benefit comes when you are playing and you can adjust the pure piezo signal with the Yamaha advanced classical guitar modeling signal for a tone surprisingly nice for a solid body “travel” guitar. For practicing (using the headphone output), you can also feed in an input from your iPhone/MP3 player via the AUX jack. For performance (yes, performance), you can plug into an amp via the “Strat-like” jack and you also have a wickedly cool looking guitar. Add in an on-board chromatic tuner and you have one amazing and surprisingly versatile guitar for practice AND (amazingly enough) for performance as well. Note: a proper recital still demands your best classical guitar but for a gig at a club or wine bar, etc., this could work out quite nicely. And finally, as I mentioned above, BIG callout to the folks at GearTree - absolutely fantastic customer service. They emailed me directly about my shipment (in addition to the auto emails) AND added in a guitar stand and headphones even though the package I bought didn’t include them. They did that since other competitor Amazon sellers were making these fancy bundles. I just had to ask. Wow… Bottom line: 5 stars (with the right strings) and get the Tobacco Sunburst version - it's beautiful.

### ⭐⭐⭐⭐⭐ Review
*by ユ***リ on November 16, 2021*

ギターへの再チャレンジにあたり本製品を購入しました。大変満足しています。 サイレントなので、本物のギターより音を気にせず弾けるので、練習への心理的負担がかなり下がりました。結果、ストローク練習もちゃんとでき、ギター(サイレントギター)に触れる機会が増えるので、必然的に上達スピードも上がっています。 また、音にリバーブをつける機能と直接音声出力があるので、そのリバーブ機能で自分の好きな音をつくり、イヤホンで聴きながら練習できるのがよいです。 音を出さないようにするとどうしても本当の音にはならないですが。本当の音や好きな音で練習できるので、練習のモチベーションアップにつながりました。 初心者ではテンションが上がる状態がないとモチベーションを維持できないので、サイレントなだけでなく、この点もこの製品が初心者向けに良いところだと思いました。 使用方法としては、さらに消音をしたかったので、弦に弱音器をつけて使用しています。 弱音消音を重視すると、サイレントピックを使う手があり、自分もサイレントピックで当初は練習していました。しかし、サイレントピックは弱音目的故に本物のピックと弾き加減が全く違うので、ストロークの練習のためには本物のピックで弾く練習はどうしても必要になりました。サイレントギターを購入される初心者の方は大半は弱音消音が必要な方だと思いますが、この点は弾く練習で注意がいるかと思います。ご参考になれば幸いです。

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*Product available on Desertcart Poland*
*Store origin: PL*
*Last updated: 2026-01-29*