---
product_id: 102613308
title: "Zoom G1X FOUR Guitar Multi-Effects Processor with Expression Pedal, 70+ Effects & Amp Modeling, Looper, Rhythm Section, Tuner, Battery Powered"
brand: "zoom"
price: "865 zł"
currency: PLN
in_stock: true
reviews_count: 7
category: "Zoom"
url: https://www.desertcart.pl/products/102613308-zoom-g1x-four-guitar-multi-effects-processor-with-expression-pedal
store_origin: PL
region: Poland
---

# 71 effects & 13 amp models 30-second looper & 68 rhythm patterns Expression pedal for dynamic control Zoom G1X FOUR Guitar Multi-Effects Processor with Expression Pedal, 70+ Effects & Amp Modeling, Looper, Rhythm Section, Tuner, Battery Powered

**Brand:** zoom
**Price:** 865 zł
**Availability:** ✅ In Stock

## Summary

> 🎶 Unlock your ultimate guitar vibe — anytime, anywhere!

## Quick Answers

- **What is this?** Zoom G1X FOUR Guitar Multi-Effects Processor with Expression Pedal, 70+ Effects & Amp Modeling, Looper, Rhythm Section, Tuner, Battery Powered by zoom
- **How much does it cost?** 865 zł with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.pl](https://www.desertcart.pl/products/102613308-zoom-g1x-four-guitar-multi-effects-processor-with-expression-pedal)

## Best For

- zoom enthusiasts

## Why This Product

- Trusted zoom brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Compact Powerhouse:** Battery-powered and lightweight design makes it the perfect travel companion for gigs, open mics, and studio sessions.
- • **Endless Sonic Palette:** Over 70 built-in effects and 13 amp models let you craft your signature sound effortlessly.
- • **Loop & Groove On Demand:** 30-second looper plus 68 rhythm patterns keep your creativity flowing live or in practice.
- • **Seamless Software Integration:** Zoom Guitar Lab software enables easy patch customization, backup, and access to fresh downloadable effects.
- • **Expressive Control at Your Feet:** Integrated expression pedal offers real-time modulation for wah, volume, and more.

## Overview

The Zoom G1X FOUR is a versatile guitar multi-effects processor featuring 71 effects, 13 amp models, an expression pedal, a 30-second looper, and 68 built-in rhythm patterns. It supports seamless patch customization via Zoom Guitar Lab software and runs on 4 AA batteries, making it a compact, portable powerhouse ideal for gigging musicians and creative pros seeking endless tonal possibilities in a user-friendly package.

## Description

The Zoom G1 four puts endless creativity at your feet with over 70 effects and amp models, Looper and drum machine. Plus, Access guitar Lab’s library of downloadable effects. The G1X FOUR also comes with Zoom’s expression pedal for added effect control.

Review: Great All-Rounder For Open Mics and Showcases - I love this stupid little thing, though my use-case scenarios are... a little odd. But it is useful in several different situations. So, a few months ago, my lead guitar player gets it in his head that he wants to do this song we wrote in 2016 that has me playing a wah-wah pedal, and it was recorded-- weirdly-- on an old Zoom 606 that had been sitting in a trap case for about 5 years until a few months ago. I actually had just used the 606, for the first time in 10 years, for some fly dates in NYC! It was a bizarre show, in that one of the acts I played with was acoustic, but the other three bands are electric, I can't bring two guitars on the plane, so I brought the old 606 because it has a great "acoustic" patch for electric guitar. Problem solved-- the 606 made my electric sound acoustic enough so that it blended in fine with the 'real' acoustics. But I did notice-- the switches on the 606 were a little dodgy when I was rehearsing to track on the east coast. It got through the shows with no problem, but it's clearly at retirement age. I looked at standalone wah-wah pedals, but they all have tone pots in them, and I know what that means-- the WILL get dusty and go bad sooner than I'd like, and some of them can't even be opened and cleaned. The cheaper multi-effects units have optical or digital pots or something that are less subtle, but more reliable. First, I tried the MOOER GE100, and whoa, what a POS that was-- the switch for the wah-wah turned on and off every time I pressed the pedal, so back it went. Grudgingly, I shelled out an extra $30 for the Zoom... And man, it's SO much easier to use than the old 606! You can SEE which effects are turned on or off, and it's pretty easy to modify a patch on stage-- tap the button to change the display, bring up the individual units, change some of the parameters or remove them from the signal chain, takes no more time than adjusting the tone or drive on a TS9 or whatever. The pedal is also better ergonomically than the one on the 606, though obviously not in the same league as a CryBaby-- I HATE playing wah-wah, by the way-- and the pedal just pivots better, though I can't explain why. Then, we get to the showcase, and this time I'm playing a real acoustic-- but a 3/4 size, because my osteoarthritis has gotten so bad, and the 3/4 is easier to play with Silk and Steel strings-- but being mahogany and a smaller body, and also with the Silk and Steels, it doesn't sound QUITE like a "real" acoustic. So I did something truly demented: I used the "Acoustic" patch on the G1X4 to make the 3/4 mahogany sound... more acoustical. It was FANTASTIC; we did six songs counting sound check, and everyone loved us. I was on the edge of feedback for the whole set, but I got some really wild psychedelic sounds just using the factory presets. Best of all, if the feedback starts to really get out of control, just hit the two pedals simultaneously to engage the tuner, and you're back to a clean signal immediately. Much less disruptive to the set than trying to kill the feedback by turning the volume down or adjusting the tone pots, which will involve more trial and error. It's capable of some of the same zany psychedelic weirdness as the 606, but the audio quality and UI are way better. I don't know that I'd use this for the larger shows I play once or twice a year; even for a compact fly rig, I want a bit more control, a dedicated chorus, phaser, delay, distortion, etc. But the G1X Four is TOTALLY fine for smaller venues. Obviously, it's not gonna have the same sound quality as high-end boutique pedals, but for smaller clubs with beater amps in the backline, really, no one is gonna care. The only thing I noticed: In the effects loop of a BantAmp hybrid, it doesn't play nicely with the solid-state power amp stage if the Gain is set past 9:00. But nothing else seems to, either-- my Mystic Edge and Tube Pilot don't really work in the effects loop either, though the G1X four sounds a bit worse than they do in that particular configuration. My guess is for that particular hybrid, with a tube in the preamp and a solid state power amp, I should keep dirt pedals and overdrives in the input part of the signal chain anyway. So it may not even be the pedal. And could be a non-issue for a full-on tube amp. Highly recommended. Didn't even buy it on sale, but if it were lost or stolen, I'd buy it again.
Review: Unbelievably-designed piece of equipment for every guitar player - Wow - I mean, seriously?! This multi effects box is ideal for just about anything anyone would ever need. For starters, Zoom was right to see a massive hole in the market for an affordable multi effects processor, but the rest of what they have done with this genius item is what's most impressive. Why? Because it's one thing to conceive of such a product, but it's a dramatically different thing to be able to execute on that promise with such elegance, which is what Zoom has done. Here's what makes this thing amazing: - Spectacularly easy interface. Right out of the box, you're playing...and not just playing, but tweaking patches, effects, setting up features, etc. (The long-version of the manual is online, but honestly, one can learn 50% of all available features on one's own.) That's impressive interface design, my friends. - A full range of effects and effect parameter controls that translate to endless sound combinations. Mix and match, add, subtract, tweak, combine, re-order, save, rename, etc. You'll never run out of possibilities to design the sounds that work just for you and whatever style you prefer. - A built-in looper, tuner, and rhythm machine, all which can be customized. - It’s very clearly laid-out, physically; meaning, the buttons and their functions on the unit itself are intuitive to understand and to learn out of the box. - And if that’s not enough, the companion software online is like, honestly, a marvel in itself. It’s so EASY and so ROBUST - those two words rarely go together with companion softwares for products like these. You can backup all factory and your own custom patches for safe keeping, and each backup instance stays in a backup bank for future reloading, if needed. You can add new sounds from Zoom’s sound bank, you can remove certain effects, but keep them in a sortable list that allows you to reload with the click of a button. You can sort by effect type, memory size, etc., and even update the unit easily without a bunch of hoops to jump through. And so much more I can’t list here. I mean, the software alone is an achievement because it’s so freaking easy to use and so helpful. All of this in a package that is priced for any musician of any financial situation and any experience level. I tip my hat to the people at Zoom. They have created a superior multi-effects processor at a price point that is unreal. Bravo...and before I forget….THANK YOU!!!

## Features

- 71 built-in guitar effects and 13 amp models
- Free download of Zoom guitar lab Mac/Windows software
- 30-Second looper
- 68 built-in rhythm patterns
- Standard Guitar input, aux input for external audio players and amp/headphone output

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B07MZPR5GP |
| Batteries | 4 AA batteries required. |
| Battery type | Alkaline |
| Best Sellers Rank | #2,002 in Musical Instruments ( See Top 100 in Musical Instruments ) #8 in Electric Guitar Floor Multieffects #473 in Guitar & Bass Accessories |
| Body Material | Plastic/Metal |
| Color Name | Black |
| Connector Type | USB Micro-B, Barrel Jack (Center Negative) |
| Customer Reviews | 4.5 4.5 out of 5 stars (6,301) |
| Date First Available | January 21, 2019 |
| Hardware Interface | 1/4-inch Audio |
| Is Discontinued By Manufacturer | No |
| Item Weight | 0.705 ounces |
| Item model number | G1X FOUR |
| Material Type | Plastic/Metal |
| Power Source | Battery Powered |
| Product Dimensions | 6.2 x 8.5 x 2 inches |
| Signal Format | Analog |
| Size | Processor Pedal |
| Voltage | 9 Volts |

## Product Details

- **Brand:** Zoom
- **Color:** Black
- **Item Weight:** 20 Grams
- **Product Dimensions:** 6.2"L x 6.85"W x 2"H
- **Style:** G1X FOUR

## Images

![Zoom G1X FOUR Guitar Multi-Effects Processor with Expression Pedal, 70+ Effects & Amp Modeling, Looper, Rhythm Section, Tuner, Battery Powered - Image 1](https://m.media-amazon.com/images/I/81lPUPAo-SL.jpg)

## Available Options

This product comes in different **Pattern, Style** options.

## Questions & Answers

**Q: I just bought a digitech-360 and found out i can't use the looper with the drum machine.. can you use the drums with the looper on this unit ?**
A: Yes you can select a drum pattern and start playing it, then switch to looper mode and record while playing to the drum sounds.  The drum sounds don't get recorded though, but you can play to the beat unlike the digitech 360.

**Q: Can you delete only the previous loop that you recorded instead of the whole loop?**
A: No you can not delete part of a loop.  In some other loopers you can undo one or more previous loops, but with the G1on you can not.  When you delete a loop that was made on top of a a rhythm loop all the loops get deleted.  It kind of sucks!  This is about the only fault I can find w/ the G1on.

**Q: Does the usb port mean it has interface capabilities (can i record with it without an audio interface to pc)?**
A: The PC recognizes the USB connection as a MIDI interface, which can be used to switch between patches.

**Q: What would happen if i used a 12v dc power supply?**
A: You would destroy it. It's clearly marked for a 9 V input. It also runs fine on 4 rechargeable AA's.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Great All-Rounder For Open Mics and Showcases
*by C***T on December 12, 2024*

I love this stupid little thing, though my use-case scenarios are... a little odd. But it is useful in several different situations. So, a few months ago, my lead guitar player gets it in his head that he wants to do this song we wrote in 2016 that has me playing a wah-wah pedal, and it was recorded-- weirdly-- on an old Zoom 606 that had been sitting in a trap case for about 5 years until a few months ago. I actually had just used the 606, for the first time in 10 years, for some fly dates in NYC! It was a bizarre show, in that one of the acts I played with was acoustic, but the other three bands are electric, I can't bring two guitars on the plane, so I brought the old 606 because it has a great "acoustic" patch for electric guitar. Problem solved-- the 606 made my electric sound acoustic enough so that it blended in fine with the 'real' acoustics. But I did notice-- the switches on the 606 were a little dodgy when I was rehearsing to track on the east coast. It got through the shows with no problem, but it's clearly at retirement age. I looked at standalone wah-wah pedals, but they all have tone pots in them, and I know what that means-- the WILL get dusty and go bad sooner than I'd like, and some of them can't even be opened and cleaned. The cheaper multi-effects units have optical or digital pots or something that are less subtle, but more reliable. First, I tried the MOOER GE100, and whoa, what a POS that was-- the switch for the wah-wah turned on and off every time I pressed the pedal, so back it went. Grudgingly, I shelled out an extra $30 for the Zoom... And man, it's SO much easier to use than the old 606! You can SEE which effects are turned on or off, and it's pretty easy to modify a patch on stage-- tap the button to change the display, bring up the individual units, change some of the parameters or remove them from the signal chain, takes no more time than adjusting the tone or drive on a TS9 or whatever. The pedal is also better ergonomically than the one on the 606, though obviously not in the same league as a CryBaby-- I HATE playing wah-wah, by the way-- and the pedal just pivots better, though I can't explain why. Then, we get to the showcase, and this time I'm playing a real acoustic-- but a 3/4 size, because my osteoarthritis has gotten so bad, and the 3/4 is easier to play with Silk and Steel strings-- but being mahogany and a smaller body, and also with the Silk and Steels, it doesn't sound QUITE like a "real" acoustic. So I did something truly demented: I used the "Acoustic" patch on the G1X4 to make the 3/4 mahogany sound... more acoustical. It was FANTASTIC; we did six songs counting sound check, and everyone loved us. I was on the edge of feedback for the whole set, but I got some really wild psychedelic sounds just using the factory presets. Best of all, if the feedback starts to really get out of control, just hit the two pedals simultaneously to engage the tuner, and you're back to a clean signal immediately. Much less disruptive to the set than trying to kill the feedback by turning the volume down or adjusting the tone pots, which will involve more trial and error. It's capable of some of the same zany psychedelic weirdness as the 606, but the audio quality and UI are way better. I don't know that I'd use this for the larger shows I play once or twice a year; even for a compact fly rig, I want a bit more control, a dedicated chorus, phaser, delay, distortion, etc. But the G1X Four is TOTALLY fine for smaller venues. Obviously, it's not gonna have the same sound quality as high-end boutique pedals, but for smaller clubs with beater amps in the backline, really, no one is gonna care. The only thing I noticed: In the effects loop of a BantAmp hybrid, it doesn't play nicely with the solid-state power amp stage if the Gain is set past 9:00. But nothing else seems to, either-- my Mystic Edge and Tube Pilot don't really work in the effects loop either, though the G1X four sounds a bit worse than they do in that particular configuration. My guess is for that particular hybrid, with a tube in the preamp and a solid state power amp, I should keep dirt pedals and overdrives in the input part of the signal chain anyway. So it may not even be the pedal. And could be a non-issue for a full-on tube amp. Highly recommended. Didn't even buy it on sale, but if it were lost or stolen, I'd buy it again.

### ⭐⭐⭐⭐⭐ Unbelievably-designed piece of equipment for every guitar player
*by D***. on May 19, 2020*

Wow - I mean, seriously?! This multi effects box is ideal for just about anything anyone would ever need. For starters, Zoom was right to see a massive hole in the market for an affordable multi effects processor, but the rest of what they have done with this genius item is what's most impressive. Why? Because it's one thing to conceive of such a product, but it's a dramatically different thing to be able to execute on that promise with such elegance, which is what Zoom has done. Here's what makes this thing amazing: - Spectacularly easy interface. Right out of the box, you're playing...and not just playing, but tweaking patches, effects, setting up features, etc. (The long-version of the manual is online, but honestly, one can learn 50% of all available features on one's own.) That's impressive interface design, my friends. - A full range of effects and effect parameter controls that translate to endless sound combinations. Mix and match, add, subtract, tweak, combine, re-order, save, rename, etc. You'll never run out of possibilities to design the sounds that work just for you and whatever style you prefer. - A built-in looper, tuner, and rhythm machine, all which can be customized. - It’s very clearly laid-out, physically; meaning, the buttons and their functions on the unit itself are intuitive to understand and to learn out of the box. - And if that’s not enough, the companion software online is like, honestly, a marvel in itself. It’s so EASY and so ROBUST - those two words rarely go together with companion softwares for products like these. You can backup all factory and your own custom patches for safe keeping, and each backup instance stays in a backup bank for future reloading, if needed. You can add new sounds from Zoom’s sound bank, you can remove certain effects, but keep them in a sortable list that allows you to reload with the click of a button. You can sort by effect type, memory size, etc., and even update the unit easily without a bunch of hoops to jump through. And so much more I can’t list here. I mean, the software alone is an achievement because it’s so freaking easy to use and so helpful. All of this in a package that is priced for any musician of any financial situation and any experience level. I tip my hat to the people at Zoom. They have created a superior multi-effects processor at a price point that is unreal. Bravo...and before I forget….THANK YOU!!!

### ⭐⭐⭐⭐⭐ Review
*by J***N on May 7, 2024*

The array of cabs, sounds and effects is awesome. The looper is great and simple to use. The only downside is the drum machine doesn’t stop in loop mode when you stop the playback. The drum machine itself is fantastic and very easy to select BPM and patterns (also sounds great through the PA)

## Frequently Bought Together

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*Product available on Desertcart Poland*
*Store origin: PL*
*Last updated: 2026-03-18*